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Special offer. Pergolesi - Stabat Mater

Elin Manahan Thomas (soprano) & Robin Blaze (countertenor), Ashley Solomon (flute), Jennifer Morsches (cello), Robin Blaze (countertenor)

Florilegium

Pergolesi - Stabat Mater
Both singers are intensely sensitive in the six descriptive and six pleadingly prayerful verses of the Stabat Mater. They have no inhibitions about Pergolesi's operatic roots...Blaze displays...

Special offer. Pergolesi - Stabat Mater

Elin Manahan Thomas (soprano) & Robin Blaze (countertenor), Ashley Solomon (flute), Jennifer Morsches (cello), Robin Blaze (countertenor)

Florilegium

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This release includes a digital booklet

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Both singers are intensely sensitive in the six descriptive and six pleadingly prayerful verses of the Stabat Mater. They have no inhibitions about Pergolesi's operatic roots...Blaze displays...

About

As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.

Regular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. Since their formation in 1991 they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire, frequently working with some of the world’s finest musicians. On this recording they work with Elin Manahan Thomas, fast becoming one of Britain’s leading young sopranos, and Robin Blaze, established in the front rank of countertenor interpreters of Purcell, Bach and Handel.

Contents and tracklist

I. Stabat Mater dolorosa (Soprano, Alto). Grave
Track length3:58
II. Cujus animam gementem (Soprano). Andante amoroso
Track length2:27
III. O quam tristis et afflicta (Soprano, Alto). Larghetto
Track length2:10
IV. Quae moerebat et dolebat (Alto). Allegro
Track length2:15
V. Quis est homo (Soprano, Alto). Largo
Track length3:17
VI. Vidit suum dulcem natum (Soprano). Tempo giusto
Track length3:35
VII. Eja mater fons amoris (Alto). Andantino
Track length2:14
VIII. Fac ut ardeat cor meum (Soprano, Alto). Allegro
Track length2:16
IX. Sancta mater, istud agas (Soprano, Alto). Tempo giusto
Track length5:33
X. Fac ut portem Christi mortem (Alto). Largo
Track length3:38
XI. Inflammatus et accensus (Soprano, Alto). Allegro ma non troppo
Track length2:01
XII. Quando corpus morietur (Soprano, Alto). Largo assai - Amen (Soprano, Alto). Presto assai
Track length4:33
I. (Spiritoso)
Track length4:15
II. Largo
Track length4:11
III. Allegro spiritoso
Track length4:35
I. Comodo
Track length1:09
II. Allegro
Track length1:48
III. Adagio
Track length1:56
IV. Presto
Track length2:11
I. Salve Regina. Largo - II. Mater misericordiae. Andante
Track length4:10
III. Ad te clamamus. Largo
Track length4:35
IV. Eja ergo, advocata nostra. Allegro
Track length1:32
V. Et Jesum. Andante
Track length2:17
VI. O clemens, o pia. Largo
Track length1:47

Spotlight on this release

Awards and reviews

July 2010

Both singers are intensely sensitive in the six descriptive and six pleadingly prayerful verses of the Stabat Mater. They have no inhibitions about Pergolesi's operatic roots...Blaze displays his wide and even vocal range in the Salve Regina, particularly effective in his lowest register

September 2010

[The Sinfonia in F] is a charming piece, which Jennifer Morsches plays with a fine mixture of elegance and gutsiness...The opening [of the Stabat Mater] is superb...Elin Manahan Thomas, Robin Blaze and Florilegium phrase it beautifully, bringing just the right amount of weight to tension and release...Excellent performances all round.
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