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Gesualdo: Madrigali libro primo, 1594

Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Paolo Fanciulacci, Marco Scavazza & Walter Testolin

Delitiæ Musicæ, Marco Longhini

Gesualdo: Madrigali libro primo, 1594
There is great variety here and the performances by this fine Italian vocal ensemble are rich in timbre and colour and beautifully blended and ever flexible in tempo.

Gesualdo: Madrigali libro primo, 1594

Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Paolo Fanciulacci, Marco Scavazza & Walter Testolin

Delitiæ Musicæ, Marco Longhini

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This release includes a digital booklet

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There is great variety here and the performances by this fine Italian vocal ensemble are rich in timbre and colour and beautifully blended and ever flexible in tempo.

About

Carlo Gesualdo, Prince of Venosa, became famous for two reasons: the bloody double murder of his first wife and her lover and his passionate and erotic view of profane love.

Brimming with often astonishing and sometimes unpredictable melodic and tonal contrasts to express the agonies and ecstasies of love, Gesualdo’s Madrigals show him to have been one of the most inventive and eccentric musical minds of his age.

This is the first disc in a series of the complete recordings of Gesualdo’s madrigals.

Contents and tracklist

Baci soavi e cari
Track length3:33
Quanto ha di dolce amore
Track length3:15
Mentre madonna il lasso fianco posa
Track length2:34
Ahi, troppo saggia nell'errar
Track length2:56
Se da si nobil mano
Track length2:20
Amor, pace non chero
Track length1:58
Tirsi morir volea
Track length3:16
Freno Tirsi il desio
Track length2:46
Felice primavera
Track length2:05
Danzan le ninfe oneste
Track length1:32

Awards and reviews

2011 edition

There is great variety here and the performances by this fine Italian vocal ensemble are rich in timbre and colour and beautifully blended and ever flexible in tempo.

29th April 2010

The six male voices of Delitiae Musicae seize upon every opportunity to point the way towards the later more radical madrigals, gently underlining passing dissonances, and bringing the texts that so sharply contrast joy and sorrow, vividly to life.
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