Voices and Piano, written for Nicolas Hodges, is an extensive cycle of pieces, each for a single recorded voice, mostly of a well-known celebrity, and piano. The cycle is still in progress and should eventually include about 80 pieces/voices (around 4 hours of music). The work is always meant to occur as a selection from the whole. At present I like to write works where the whole should not be presented at once. The whole should remain the whole, and what we hear is just a part of it. (Peter Ablinger)

'I often find myself asking where the music in this situation resides. It is clearly not in the piano part alone, nor is it in the recorded voice. It is in the relationship between the two parts, their counterpoint: sometimes they are subtly different parallel lines, sometimes two interweaving yet independent parts, sometimes the piano is a machine desperately attempting to contain or imitate humanity' (Nicolas Hodges)