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Lieder von Liebe und Tod

Songs of Love & Death

Christoph Prégardien (tenor) & Tilman Hoppstock (guitar)

Lieder von Liebe und Tod
...it's a revelation. The tension between voice and accompanist is...never less than creative. That's largely thanks to Prégardien 's matchless enunciation, always subtly nuanced inflection,...

Lieder von Liebe und Tod

Songs of Love & Death

Christoph Prégardien (tenor) & Tilman Hoppstock (guitar)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
...it's a revelation. The tension between voice and accompanist is...never less than creative. That's largely thanks to Prégardien 's matchless enunciation, always subtly nuanced inflection,...

About

'By replacing the piano with the guitar, Christoph Prégardien and Tilman Hoppstock have changed the mood of the songs. The tension between voice and instrument changes, forms a different colour-mixture. (Peter Härtling)

'Never has the guitar sounded so absolutely right for these songs.' (Classical Guitar)

Contents and tracklist

No. 2. Erlaube mir, fein's Madchen
Track length1:19
No. 6. Da unten im Tale
Track length2:05
No. 15. Schwesterlein
Track length2:30
No. 30. All mein Gedanken
Track length2:08
No. 34. Wie komm' ich denn zur Tur herein?
Track length2:17
No. 41. Es steht ein Lind
Track length2:07
No. 35. Soll sich der Mond nicht heller scheinen
Track length2:38
6 Lieder, Op. 37: No. 6. Lied beim Rundtanz
Track length1:20
6 Lieder, Op. 72: No. 6. Schlaflied
Track length2:07
6 Lieder, Op. 41: No. 2. Lied aus "Aslauga's Ritter"
Track length1:26
6 Lieder, Op. 37: No. 5. Getrennte Liebe
Track length2:26
6 Lieder, Op. 72: No. 4. Beruhigung
Track length1:46
6 Lieder, Op. 37: No. 3. Die Stimme der Nacht
Track length3:39
6 Lieder, Op. 72: No. 2. Schifferlied der Wasserfee
Track length1:44
Die schone Mullerin, Op. 25, D. 795: No. 1. Das Wandern
Track length2:46

Awards and reviews

June 2010

...it's a revelation. The tension between voice and accompanist is...never less than creative. That's largely thanks to Prégardien 's matchless enunciation, always subtly nuanced inflection, and [Hoppstock's] ability to sustain a legato line through his nicely variegated and perfectly balanced plucking.
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