Shostakovich - Chamber music
Aci Bertoncelj (cello)
Jerusalem String Quartet, Atrium String Quartet, Chung Trio, Eroica Trio, Nash Ensemble
Shostakovich - Chamber music
Aci Bertoncelj (cello)
Jerusalem String Quartet, Atrium String Quartet, Chung Trio, Eroica Trio, Nash Ensemble
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About
This is the second Shostakovich set in this series. The first (5099923768628) mainly featured orchestral and concerto works, but also included the Eighth String Quartet, the best-known of the 15 that he completed. Here the emphasis is entirely on Shostakovich's chamber music, a medium in which he was an absolute master. It was to chamber music that he increasingly turned in order to express his inner-most anxieties about artistic life in Stalin's Soviet Union.
It is his chamber music that gives a true picture of this tortured 20th-century master. The larger works were mainly for public consumption, although even here Shostakovish fell foul of the authorities on more than one occasion. But in chamber music he felt free to write some of his most profound and heart-searching music.
Contents and tracklist
- Jerusalem Quartet
- Recorded: 2000-11-27
- Recording Venue: 24-27 November 2000/Potton Hall, Suffolk
- Atrium String Quartet
- Recorded: 2003-04-14
- Recording Venue: 11-14th April 2003, Potton Hall, Suffolk
- Aci Bertoncelj (piano), Heinrich Schiff (cello)
- Recorded: 1983-11-18
- Recording Venue: 17., 18.XI.1983, Evangelische Kirche, Eckenhagen
- Chung Trio
- Recorded: 1988-12-17
- Recording Venue: 12-17 December 1988. Academy of Arts and Letters, New York
- Eroica Trio, Israela Margalit (piano), Janice Graham (violin), Robert Tear (tenor), Robin O'Neill (bassoon), Thelma Owen (harp), Ian Tracey (director), Pasi Hyökki (director)
- English Chamber Orchestra, EMO Ensemble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra
- Jeffrey Tate, Karl Jenkins
- Recorded: 1998-03-09
- Recording Venue: Recorded March 5-9 1998. St. Stephen's Church, Tiburon, CA
- The Nash Ensemble
- Recorded: 1990-11-30
- Recording Venue: November 1990 / Henry Wood Hall, London