Chopin - Cello Music
Andreas Brantelid (cello), with Marianna Shirinyan (piano), with Vilde Frang (violin) & Marianna Shirinyan (piano)
Brantelid's performance with the vivacious violinist Vilde Frang is entrancing. They draw us in to an engaging narrative and enjoy the play in the finale...an impressive cellist and definitely...
Chopin - Cello Music
Andreas Brantelid (cello), with Marianna Shirinyan (piano), with Vilde Frang (violin) & Marianna Shirinyan (piano)
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Brantelid's performance with the vivacious violinist Vilde Frang is entrancing. They draw us in to an engaging narrative and enjoy the play in the finale...an impressive cellist and definitely...
About
“In the Rococo Variations [Brantelid] is magnetic throughout, characterising each variation compellingly, with rubato finely controlled. His spontaneity in the little cadenza-like links is most persuasive too and that leads to an impulsive account of the last variation and the coda, with flawless double stopping.” (Gramophone)
Frédéric Chopin had been living in Paris only a matter of months when he was commissioned by the publisher Schlesinger in 1831 to write a work based on themes from Meyerbeer’s opera Robert le Diable, which had premiered some weeks earlier. The result was the Grand Duo for cello and piano. For assistance with the cello part, Chopin turned to a new acquaintance, the cellist Auguste Franchomme, who subsequently became a close friend and for whom he composed the Sonata in G minor 14 years later. The G minor Trio dates from 1828-29 and was dedicated to Prince Antoni Radziwill, an arts patron and amateur cellist. Chopin composed it in Poland but the work remained unpublished until 1833, by which time the composer was already living in Paris.
Andreas Brantelid (b. 1987), one of Scandinavia’s leading cellists, is quickly establishing an international reputation. Winner of a 2008 Borletti-Buitoni Trust Fellowship and a current member of the BBC’s New Generation Artist scheme, Brantelid was nominated for the European Concert Hall Organization’s "Rising Star" scheme in 2008-2009 and has performed in, among others, the Concertgebouw Amsterdam, Musikverein Vienna, Palais des Beaux Arts Brussels and Philharmonie Cologne.
Brantelid, who made his solo debut with orchestra at the age of 14 with the Royal Danish Orchestra, Copenhagen in the Elgar Cello Concerto, has since appeared with all the major orchestras in Scandinavia. He is the first Scandinavian to win 1st Prize in the Eurovision Young Musicians Competition (2006) and in the Paulo International Cello Competition (2007) and was Danish Radio’s “Artist in Residence, 2007.”
Brantelid made his Wigmore Hall debut in 2008 with the Swedish pianist Bengt Forsberg, with whom he collaborates regularly. He also performs frequently at important festivals including Risør and Bergen in Norway, Kuhmo in Finland and the City of London and Cheltenham Festivals in the UK.
He has been invited to join the New York Lincoln Center’s 'Chamber Music Society Two' programme for three seasons from 2009/10, with his first appearance in December 2009. Also this season, he performs with the Gothenburg and Hamburg symphonies, BBC Philharmonic and the Vienna Chamber Orchestra. He makes his debut at Carnegie Hall, gives recitals in London, Paris and the world premiere of Niels Rosing-Schow’s Cello Concerto with the Danish National Radio Symphony Orchestra.
Pianist Marianna Shirinyan hails from Yerevan, Armenia, where she began her piano studies before moving to Hamburg to work with Mathias Weber. She has also studied chamber music with Thomas Brandis and Maria Egelhof and is currently at the Musikhochschule Lübeck studying with Konrad Elserm, having won several competitions along the way in Germany, Spain, Italy and Denmark, most recently the annual prize of the Danish Music Critics’ Association in 2009. Shirinyan is establishing herself on the international stage as a soloist and chamber musician, working with such artists as Christian Altenburger, Shmuel Ashkenasi, Boris Baraz, Thomas Brandis, Wolfgang Bötcher, Ana Chumachenko, Ivry Gitlis, Ida Haendel, Midori and Pavel Vernikov and closely involved with the Schleswig-Holstein Music Festival as a coach for piano chamber music at its Orchestral Academy. Marianna Shirinyan has been a member of the Esbjerg Ensemble in Denmark since 2003.
Vilde Frang, the young Norwegian violinist and protégée of Anne Sophie Mutter, made her debut at the age of 10 with the Norwegian Radio Orchestra and was subsequently engaged by Mariss Jansons to perform with the Oslo Philharmonic. She has since performed extensively in Scandinavia, the UK, Germany, Switzerland and the Baltic countries and has appeared at international festivals in Verbier, Schleswig-Holstein, Mecklenburg-Vorpommern and Lucerne. Frang has performed in concert with Martha Argerich, Renaud and Gautier Capuçon, Gidon Kremer, Yuri Bashmet and Maxim Vengerov and has toured Europe and the United States with Anne-Sophie Mutter and Camerata Salzburg. The winner of a 2007 Borletti-Buitoni Trust Fellowship and of the 2009 Norwegian Soloist award, Frang recently signed with EMI Classics. Her debut release, scheduled for January 2010, features the Sibelius Violin Concerto and three Humoresques and Prokofiev’s Violin Concerto No. 1 with the WDR Sinfonieorchester Köln and conductor Thomas Søndergård.
Contents and tracklist
- Andreas Brantelid (cello), Marianna Shirinyan (piano)
- Recorded: 2009-10-13
- Recording Venue: 13-15 October 2009. Studio 2, Danmarks Radio, Copenhagen
- Andreas Brantelid (cello), Marianna Shirinyan (piano), Vilde Frang (violin)
- Recorded: 2009-09-25
- Recording Venue: 25-27 September 2009. Studio 2, Danmarks Radio, Copenhagen
- Andreas Brantelid (cello), Marianna Shirinyan (piano)
- Recorded: 2009-09-25
- Recording Venue: 25-27 September 2009. Studio 2, Danmarks Radio, Copenhagen
Awards and reviews
April 2010
Brantelid's performance with the vivacious violinist Vilde Frang is entrancing. They draw us in to an engaging narrative and enjoy the play in the finale...an impressive cellist and definitely one to watch.
15th January 2010
Brantelid’s ability to reach the emotional core of a work is as evident here as on his previous disc, particularly in the Sonata...The overall sound is warm, technically perfect, and imbued with a youthful enthusiasm that is underpinned by interpretational maturity.
7th March 2010
The Danish cellist Andreas Brantelid is only 23, but, with his Armenian pianist, he reveals astonishing maturity, bringing youthful freshness and vigour to a work championed on disc by Rostropovich and du Pré
26th January 2010
[Brantelid’s] interpretations...reveal a stylistic insight, elegance and emotional power to match his striking technical aplomb. This is an imaginative and fruitful combination of young talents on a disc that will be relished long after the bicentenary year is over.