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Special offer. Bach, J S: St Matthew Passion, BWV244

Ex Cathedra Choir & Baroque Orchestra, Jeffrey Skidmore

Bach, J S: St Matthew Passion, BWV244
The Ex Cathedra performance is superb. Jeremy Budd is an unaffected narrator of the Evangelist's story; Natalie Clifton-Griffith's 'Break in grief' is heart-rending; Mark Chamber' 'Have mercy,...

Special offer. Bach, J S: St Matthew Passion, BWV244

Ex Cathedra Choir & Baroque Orchestra, Jeffrey Skidmore

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The Ex Cathedra performance is superb. Jeremy Budd is an unaffected narrator of the Evangelist's story; Natalie Clifton-Griffith's 'Break in grief' is heart-rending; Mark Chamber' 'Have mercy,...

About

“Jeffrey Skidmore knows this shattering music intimately, and he imparts his love of it so well to his performing forces. Here Ex Cathedra was joined by its Baroque Orchestra boasting an impressive array of names, and it was scintillating to relish here the variety of oboes responding to Bach’s detailed demands, the rasping double-basses, and a viola da gamba which delivered the usually purgatorial solos for this instrument without any penitential grittiness”. (Birmingham Post/Christopher Morley)

“The best choir of its kind in Britain? Very possibly…” (Michael White)

For their first release on Orchid Classics, Ex Cathedra present a brand new recording of the St. Matthew Passion, recorded live in Symphony Hall, Birmingham on Good Friday 2009.

Sung in English using a totally new translation of the original German text, and performed with the Ex Cathedra Baroque Orchestra, this is a unique combination. Fitting onto two very well filled discs with a 32 page booklet with full texts and at a very competitive price.

From its home in Birmingham, Ex Cathedra has established an international reputation as a leading UK choir and Early Music ensemble. Under founder and Artistic Director Jeffrey Skidmore, Ex Cathedra is known for its vibrant performances and a passion for seeking out not only the best but the unfamiliar and the unexpected in the choral repertoire.

Ex Cathedra celebrate their 40th Anniversary in 2009 and this will be highlighted in articles about them and interviews with Jeffrey Skidmore, in the music press.

Contents and tracklist

Pt. I: Come, you daughters, share my mourning (Chorus, Soprano) [Sung in English]
Track length6:18
Pt. I: Recitative. When Jesus had finished saying these things (Evangelist, Jesus) [Sung in English]
Track length0:35
Pt. I: Chorale. O blessed Jesu, how have you offended (Chorus) [Sung in English]
Track length0:42
Pt. I: Recitative. At That time there assembled all the chief (Evangelist, Chorus, Jesus) [Sung in English]
Track length2:56
Pt. I: Recitative. My master and my Lord (Alto 1) [Sung in English]
Track length0:53
Pt. I: Aria. Grief for sin reads the guilty heart within (Alto 1) [Sung in English]
Track length4:14
Pt. I: Recitative. Then one of the twelve, whose name was Judas (Evangelist, Judas) [Sung in English]
Track length0:37
Pt. I: Aria. Break in grief, O loving heart (Soprano 2) [Sung in English]
Track length4:18
Pt. I: Recitative. On the first day of Unleavened Bread the disciples came to Jesus (Evangelist, Chorus, Jesus) [Sung in English]
Track length2:01
Pt. I: Chorale. It's I whose sins have bound you (Chorus) [Sung in English]
Track length0:47
Pt. I: Recitative. He answered them and said (Evangelist, Jesus, Judas) [Sung in English]
Track length2:44
Pt. I: Recitative. Although our eyes with tears o'erflow (Soprano 1) [Sung in English]
Track length1:10
Pt. I: Aria. Jesu, Saviour, I am yours (Soprano 1) [Sung in English]
Track length3:15
Pt. I: Recitative. And after they had sung a hymn together (Evangelist, Jesus) [Sung in English]
Track length0:58
Pt. I: Chorale. Receive me, my Redeemer (Chorus) [Sung in English]
Track length0:51
Pt. I: Recitative. Simon Peter answered and said to him (Evangelist, Peter, Jesus) [Sung in English]
Track length1:04
Pt. I: Chorale. I want to stand beside you (Chorus) [Sung in English]
Track length0:54
Pt. I: Recitative. Then Jesus went with them to a garden called Gethsemane (Evangelist, Jesus) [Sung in English]
Track length1:28
Pt. I: Recitative. O Grief! What trembling of his heavy heart! (Tenor 1) - Chorale. My Saviour, why must all This trouble fall on you? [Chorus] [Sung in English]
Track length1:49
Pt. I: Aria. I would beside my Lord be watching (Tenor 1, Chorus) [Sung in English]
Track length4:50
Pt. I: Recitative. And going further, he threw himself on the ground (Evangelist, Jesus) [Sung in English]
Track length0:38
Pt. I: Recitative. The Saviour, low before his Father bending (Bass 2) [Sung in English]
Track length0:49
Pt. I: Aria. Never will I choose to leave him (Bass 2) [Sung in English]
Track length4:02
Pt. I: Recitative. Then he came to the disciples and found them sleeping (Evangelist, Jesus) [Sung in English]
Track length1:16
Pt. I: Chorale. O Father, let your will be done (Chorus) [Sung in English]
Track length0:54
Pt. I: Recitative. Again he came and found them sleeping (Evangelist, Jesus, Judas) [Sung in English]
Track length2:20
Pt. I: Aria. My Saviour Jesus, now Is taken (Soprano 1, Alto 1, Chorus) [Sung in English]
Track length4:40
Pt. I: Recitative. And suddenly, one of the disciples who were there with Jesus (Evangelist, Jesus) [Sung in English]
Track length2:14
Pt. I: Chorale. O World, your sinful ways lament (Chorus) [Sung in English]
Track length5:55
Pt. II: Aria. Ah! Now Is my Saviour gone! (Alto 1, Chorus) [Sung in English]
Track length3:58
Pt. II: Recitative. And those who had arrested Jesus took him to the house of the high priest (Evangelist) [Sung in English]
Track length0:59
Pt. II: Chorale. How falsely does the world accuse! (Chorus) [Sung in English]
Track length0:37
Pt. II: Recitative. Though many false witnesses came forward (Evangelist, False Witnesses, High Priest) [Sung in English]
Track length1:05
Pt. II: Recitative. My Lord stays silent, though men accuse him falsely (Tenor 2) [Sung in English]
Track length1:01
Pt. II: Aria. Endure through lies and taunts and slander (Tenor 2) [Sung in English]
Track length3:41
Pt. II: Recitative. The high priest answered, and said to him (Evangelist, High Priest, Jesus, Chorus) [Sung in English]
Track length2:09
Pt. II: Chorale. O Lord, who dares to strike you (Chorus) [Sung in English]
Track length0:58
Pt. II: Recitative. Simon Peter was sitting in the courtyard, and a servant girl came to him and said (Evangelist, First Maid, Peter, Second Maid, Chorus) [Sung in English]
Track length2:23
Pt. II: Aria. Have mercy, Lord on, me (Alto 1) [Sung in English]
Track length5:38
Pt. II: Chorale. Lamb of God, I fall before you (Chorus) [Sung in English]
Track length1:01
Pt. II: Recitative. Now when the morning came (Evangelist, Judas, Chorus, Chief Priests) [Sung in English]
Track length1:45
Pt. II: Aria. Give, O give me back my Saviour (Evangelist) [Sung in English]
Track length2:36
Pt. II: Recitative. After they had conferred together (Evangelist, Pilate, Jesus) [Sung in English]
Track length2:36
Pt. II: Chorale. Commit your way to Jesus (Chorus) [Sung in English]
Track length0:59
Pt. II: Recitative. Now on the feast day (Evangelist, Pilate, Pilate's Wife, Chorus) [Sung in English]
Track length2:28
Pt. II: Amazing love, This sacrifice to offer (Chorus) [Sung in English]
Track length0:46
Pt. II: Recitative. The Governor asked (Evangelist, Pilate) [Sung in English]
Track length0:17
Pt. II: Recitative. To all men Jesus has done good (Soprano 1) [Sung in English]
Track length1:01
Pt. II: Aria. For love my Saviour now Is dying (Soprano 1) [Sung in English]
Track length4:45
Pt. II: Recitative. But they shouted all the more and said (Evangelist, Chorus, Pilate) [Sung in English]
Track length1:50
Pt. II: Recitative. Have pity, God! (Alto 2) [Sung in English]
Track length1:02
Pt. II: Aria. If my weeping and my wailing be unavailing (Alto 1) [Sung in English]
Track length6:44
Pt. II: Recitative. And then the Governor's soldiers took Jesus (Evangelist, Chorus) [Sung in English]
Track length1:02
Pt. II: O bleeding head, so wounded (Chorus) [Sung in English]
Track length2:09
Pt. II: And after they had mocked him (Evangelist) [Sung in English]
Track length0:51
Pt. II: Recitative. In truth our flesh and blood must be (Bass 1) [Sung in English]
Track length0:34
Pt. II: Come, healing Cross! (Bass 1) [Sung in English]
Track length6:21
Pt. II: Recitative. And when they came to a place called Golgotha (Evangelist, Chorus) [Sung in English]
Track length3:21
Pt. II: Recitative. Ah, Golgotha! Unhappy Golgotha! (Alto 1) [Sung in English]
Track length1:27
Pt. II: Aria. See It: See the Saviour's outstretched arm (Alto 1, Chorus) [Sung in English]
Track length2:52
Pt. II: Recitative. Now from the midday hour there fell a darkness (Evangelist, Jesus, Chorus) [Sung in English]
Track length2:11
Pt. II: Chorale. Be near me, Lord, when dying (Chorus) [Sung in English]
Track length1:23
Pt. II: And then, at once (Evangelist, Chorus) [Sung in English]
Track length2:37
Pt. II: Recitative. At evening, hour of calm and rest (Bass 1) [Sung in English]
Track length1:54
Pt. II: Aria. Cleanse yourself, my heart from sin (Bass 1) [Sung in English]
Track length5:30
Pt. II: Recitative. So Joseph took the body and wrapped It in a clean linen (Evangelist, Chorus, Pilate) [Sung in English]
Track length2:23
Pt. II: Recitative. And now the Lord Is laid to rest (Bass 1, Alto 1, Soprano 1, Chorus) [Sung in English]
Track length1:47
Pt. II: In tears of grief, dear Lord (Chorus) [Sung in English]
Track length5:53

Awards and reviews

December 2009

The Ex Cathedra performance is superb. Jeremy Budd is an unaffected narrator of the Evangelist's story; Natalie Clifton-Griffith's 'Break in grief' is heart-rending; Mark Chamber' 'Have mercy, Lord' deeply moving and, as choral singers, all the aria soloists are free of overly-distinctive vocal affectations.

Early Music Review

The choir ... seems to have their music in their blood

December 2009

Skidmore's overall shaping of the St Matthew… is marked by exceptional judgement in nurturing his forces, a compelling corporate élan channeled through the warm-toned Ex Cathedra and a largely alert orchestra. The chorales and choral interpolations are responsively delivered with deft voicing and attention to textural detail. "M saviour Jesus now is changed" (no 27) is brilliantly placed, and highlights the transcendent nature of this great movement. If words are occasionally muffled, the coherence and rich colouring of "O World, your sinful ways lament" (No 29) and the final chorus confirm the quality of Ex Cathedra's distinguished involvement.

If you're in the market for an English version of St Matthew Passion, this is warnly recommended ... I found Ex Cathedra's alert performance a persuasive listen

Birmingham Post

The Ex Cathedra Baroque Orchestra plays with style and clarity, sprung from a light bass-line, and it is particularly gratifying to have the viola da gamba obbligati delivered with such verve and panache by Richard Campbell: a far cry from the purgatorial interminabilities of these movements in decades long gone
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