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Pujol, M D: Guitar Duos

Giorgio Mirto & Victor Villadangos (guitars)

Pujol, M D: Guitar Duos
stylish, spontaneous-sounding performances, which effortlessly reconcile the tension between ostensibly classical music and what is more properly a popular yet sophisticated folk idiom that...

Pujol, M D: Guitar Duos

Giorgio Mirto & Victor Villadangos (guitars)

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320 kbps, MP3

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Stream now lossless, 44.1 kHz, 16 bit
stylish, spontaneous-sounding performances, which effortlessly reconcile the tension between ostensibly classical music and what is more properly a popular yet sophisticated folk idiom that...

About

Maximo Diego Pujol is a native of Buenos Aires, and was born in 1957. His music is inspired by the sights, sounds, and smells of that great city. Depictions of card games, the shady tree lined streets and of course the Tango are all to be found in his music.

The use of traditional or folk music in classical music has a long and dignified history. Bach raised the humble gavotte and gigue to an art form in his suites, Chopin turned the Polonaise into a rallying cry for Polish nationalism when the country was suffering at the hands of oppressive neighbouring states. Bartók, Kodály and Vaughan Williams in the 20th century rescued traditional music from their respective countries from oblivion and drew on the wealth of material for their compositions.

Pujol also introduces traditional rhythms of the milonga, candombe and chacarera, and he is a natural successor to Piazzolla.

Contents and tracklist

I. Tango de Abril
Track length2:48
II. Milonga de Junio
Track length4:15
III. Final. Feliz
Track length2:55
I. Andante
Track length4:11
II. Rápido (Tempo de Chacarera)
Track length2:55
I. Primera
Track length2:29
II. Falta Envido
Track length3:48
III. Truco
Track length3:52
IV. Vale Cuatro
Track length2:41
I. Arbolado
Track length3:44
II. Sombrío
Track length5:16
III. Avenida Centenario
Track length4:11
Cafè para Dos
Track length6:08
I. Allegro
Track length4:04
II. Andante
Track length4:16
III. Presto
Track length4:12

Awards and reviews

April 2010

stylish, spontaneous-sounding performances, which effortlessly reconcile the tension between ostensibly classical music and what is more properly a popular yet sophisticated folk idiom that seems so much a part of the culture from which it sprang
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