Special offer. Great Operatic Arias 21 - Cheryl Barker
Sung in English
Cheryl Barker (soprano), Gillian Keith (Masha), William Dazeley (Silvio), William Dazeley (Maurice), Gillian Keith (Zdenka), William Dazeley (Mandryka)
London Philharmonic Orchestra, David Parry
Anguish… the keynote, coming across best in Margarita's prison aria from Boito's Mefistofele and Lisa's midnight soliloquy in Tchaikovsky's Queen of Spades.
Special offer. Great Operatic Arias 21 - Cheryl Barker
Sung in English
Cheryl Barker (soprano), Gillian Keith (Masha), William Dazeley (Silvio), William Dazeley (Maurice), Gillian Keith (Zdenka), William Dazeley (Mandryka)
London Philharmonic Orchestra, David Parry
Purchase product
Anguish… the keynote, coming across best in Margarita's prison aria from Boito's Mefistofele and Lisa's midnight soliloquy in Tchaikovsky's Queen of Spades.
About
Following her superb Katya in Katya Kabanova, her Emilia Marty in The Makropulos Case, recorded live at the London Coliseum, and her Butterfly for Chandos Opera in English, we were delighted to have enticed Cheryl Barker into our studios to record these thrilling samples of her dramatic artistry in music both familiar and fresh.
The repertoire chosen for the solo disc includes works, actually performed by her on stage, as well as arias Cheryl has always enjoyed listening to.
‘There were two arias that I was very keen to include one was the scene from The End of the Affair by the brilliant American composer Jake Heggie. I premiered the role of Sarah in Houston and I think this scene is dramatic and fantastically composed. I am very proud to have recorded the aria Each Afternoon from the Violins of St Jacques by Malcolm Williamson, a fellow Australian. It is very atmospheric with its simply vocal line. I have also included some popular arias and some repertoire performed by Dame Joan Hammond with whom I studied with as a student.’
‘As an English speaker, performing these arias in English means that I can relay the emotions of the arias in my native language and I think it is interesting to an English speaking audience to hear the arias in their native tongue. Also, it is important to have an accurate translation of the original text and I think in these arias we have that.’
Contents and tracklist
- Cheryl Barker (soprano), William Dazeley (baritone)
- London Philharmonic Orchestra
- David Parry
- Cheryl Barker (soprano), William Dazeley (baritone)
- London Philharmonic Orchestra
- David Parry
- William Dazeley (baritone)
Awards and reviews
December 2009
Anguish… the keynote, coming across best in Margarita's prison aria from Boito's Mefistofele and Lisa's midnight soliloquy in Tchaikovsky's Queen of Spades.
Awards Issue 2009
Cheryl Barker is always clean in her placing of notes and clear in her articulation of the English words. …sometimes (as in the opening of the Arabella-Mandryka duet) she sings quite beautifully. …William Dazeley (surely one of our best baritones) has an attractive timbre, heard pleasingly throughout. David Parry's speeds tend to be a little too slow for my liking but the orchestral playing refined and responsive.