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Special offer. Bach, J S: St John Passion, BWV245

John Mark Ainsley tenor (Evangelist), Stephen Richardson bass (Christus), Catherine Bott soprano, Michael Chance alto, Paul Agnew tenor & Stephen Varcoe bass

Choir of King’s College, Cambridge & Brandenburg Consort, Stephen Cleobury

Special offer. Bach, J S: St John Passion, BWV245

John Mark Ainsley tenor (Evangelist), Stephen Richardson bass (Christus), Catherine Bott soprano, Michael Chance alto, Paul Agnew tenor & Stephen Varcoe bass

Choir of King’s College, Cambridge & Brandenburg Consort, Stephen Cleobury

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($14.50) Reduced price $8.75

320 kbps, MP3

Original price ($10.75) Reduced price $6.50

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

About

Recording made in 2003.

The 1725 version is used in this recording.

‘There are fine contributions especially from Stephen Varcoe, and an exceptionally immediate and affecting ‘Es ist vollbracht’ from Michael Chance.’ Gramophone

Booklet note and sung texts.

Bach produced his St John Passion in 1724, and it was his first setting of the Passion story. The premiere of the first version took place on Good Friday in Leipzig at the Nicolaikirche. Johann Kuhnau had introduced the tradition of Passion oratorios to Leipzig a few years earlier. Bach’s work underwent several revisions right up to the late 1740s, and was performed regularly in all versions. Bach’s Passions have an interesting history. He is credited with five, but only two survive intact, the St John and the St Matthew. The St Mark manuscript was destroyed during a bombing raid in the Second World War, although some music and the text survived, and it has been reconstructed and subsequently recorded. Passion settings appear to have occupied Bach from early on in his career. Some of the material used in the St John Passion dates back to 1714, and it is now believed that Bach reused material from an earlier and now lost Passion. In fact, Bach’s endless revisions saw material from the St Matthew Passion being included in the St John, several Sinfonias were added, and then removed, and these in turn provide material for the many incomplete concertos in Bach’s catalogue of works.Passions are musical descriptions of the events in the life of Christ, from the entry into Jerusalem on Palm Sunday to the Crucifixion.

Contents and tracklist

Chorus. "Herr, unser Herrscher"
Track length8:34
Recitative. "Jesus ging mit seinen Jüngern"
Track length2:28
Chorale. "O große Lieb"
Track length00:46
Recitative. "Auf daß das Wort erfüllet wurde"
Track length1:06
Chorale. "Dein Will gescheh, Herr Gott, zugleich"
Track length00:54
Recitative. "Die Schar aber und der Oberhauptmann"
Track length00:53
Aria. "Von den Stricken meiner Sünden"
Track length4:44
Recitative. "Simon Petrus aber folgte Jesu nach"
Track length00:15
Aria. "Ich folge Dir gleichfalls mit freudigen Schritten"
Track length3:52
Recitative. "Derselbige Jünger war dem Hohenpriester bekannt"
Track length3:15
Chorale. "Wer hat Dich so geschlagen"
Track length1:37
Recitative. "Und Hannas sandte ihn gebunden"
Track length2:31
Aria. "Ach, mein Sinn"
Track length2:29
Chorale. "Petrus, der nicht denkt zurück"
Track length1:08
Chorale. Christus, Der Uns Selig Macht
Track length1:02
Recitative. "Da führeten sie Jesum"
Track length4:15
Chorale. "Ach großer König"
Track length1:28
Recitative. "Da sprach Pilatus zu ihm"
Track length2:01
Arioso. "Betrachte, meine Seele"
Track length2:31
Aria. "Erwäge, Wie sein blutgefärbter Rücken"
Track length8:42
Recitative. "Und die Krieggsknechte flochten eine Krone"
Track length5:46
Chorus. "Durch Dein Gefängnis, Gottes Sohn"
Track length00:53
Recitative. "Die Juden aber schrieen und sprachen"
Track length4:13
Aria. "Eilt, Ihr angefochten Seelen"
Track length4:05
Recitative. "All da kreuzigten sie ihn"
Track length2:12
Chorale. "In meines Herzens Grunde"
Track length1:05
Recitative. "Die Kriegsknechte aber"
Track length3:55
Chorale. "Er nahm alles wohl in Acht"
Track length1:00
Recitative. "Und von Stund an nahm sie der Jünger"
Track length1:30
Aria. "Es ist vollbracht!"
Track length5:32
Recitative. "Und neiget das Haupt und verschied"
Track length00:28
Aria. "Mein teurer Heiland, laß dich fragen"
Track length4:43
Recitative. "Und siehe, da, der Vorhang im Tempel zerriß"
Track length00:32
Arioso. "Mein Herz, in dem die ganze Welt"
Track length00:59
Aria. "Zerließe, mein Herze"
Track length7:10
Recitative. "Die Juden aber, dieweill es der Rüsttag war"
Track length2:17
Chorale. "O hilf, Christe, Gottes Sohn"
Track length00:57
Recitative. "Darnach bat Pilatum Joseph von Arimathia"
Track length2:19
Chorus. "Ruht wohl, Ich heiligen Gebeine"
Track length6:24
Chorale. "Ach Herr, laß dein lieb Engelein"
Track length1:51
Chorale. "O Mensch, bewein Dein Sünde groß"
Track length5:47
Aria. "Himmel reiße, Welt erbebe"
Track length3:58
Aria. "Zerschmettert mich"
Track length5:31
Aria. "Ach windert Euch nicht so"
Track length6:14
Chorale. "Christie, du Lamm Gottes"
Track length4:01
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