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Zemlinsky - The Mermaid

New Zealand Symphony Orchestra, James Judd

Zemlinsky's symphonic fantasy Die Seejungfrau… is one of the most sumptuously scored orchestral pieces of the early 20th century. James Judd… galvanises the New Zealand Symphony Orchestra into...

Zemlinsky - The Mermaid

New Zealand Symphony Orchestra, James Judd

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Zemlinsky's symphonic fantasy Die Seejungfrau… is one of the most sumptuously scored orchestral pieces of the early 20th century. James Judd… galvanises the New Zealand Symphony Orchestra into...

About

A Symphony in all but name, Zemlinsky’s lavishly scored ‘symphonic fantasy’ Die Seejungfrau (1903) is his most frequently performed large-scale work beside the Lyric Symphony (Naxos 8572048).

Based on Hans Christian Andersen’s fairy tale of the mermaid who sacrifices herself out of unrequited love for a prince, the work places greater emphasis on thematic development than on mere illustration.

Written over three decades later, when Zemlinsky’s music was taking on a more astringent manner, the Sinfonietta is remarkable for its nervous energy, anguished passion and sheer virtuosity

Contents and tracklist

I. Sehr lebhaft -
Track length9:01
II. Ballade. Sehr gemessen (poco adagio), doch nicht schleppend -
Track length7:15
III. Sehr lebhaft
Track length5:28
I. Sehr massig bewegt
Track length15:29
II. Sehr bewegt, rauschend
Track length11:53
III. Sehr gedehnt, mit schmerzvollem Ausdruck
Track length13:27

Awards and reviews

October 2009

Zemlinsky's symphonic fantasy Die Seejungfrau… is one of the most sumptuously scored orchestral pieces of the early 20th century. James Judd… galvanises the New Zealand Symphony Orchestra into playing this challenging score with sensitivity and a good deal of virtuosity.

31st July 2009

Seejungfrau is crammed with ravishing, expansive melodies and lush, aqueous harmonies and, as the New Zealand Symphony performance shows, it's a mystery why it is not an established repertory work

11th July 2009

Zemlinsky’s symphonic fantasy may have fewer take-home tunes than Disney’s The Little Mermaid, but you can’t fault its opulent sweep, lively imagination, or inventive scoring.
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