Special offer. Stravinsky: The Rake's Progress
Jayne West, Jon Garrison, ArthurWoodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery & Jeffrey Johnson
Gregg Smith Singers & Orchestra of St. Luke’s, Robert Craft
An Anglophone cast benefits Auden and Kallman's text while Robert Craft's neat conducting highlights the delicate ironies of Stravinsky's neo-classical score.
Special offer. Stravinsky: The Rake's Progress
Jayne West, Jon Garrison, ArthurWoodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery & Jeffrey Johnson
Gregg Smith Singers & Orchestra of St. Luke’s, Robert Craft
Purchase product
An Anglophone cast benefits Auden and Kallman's text while Robert Craft's neat conducting highlights the delicate ironies of Stravinsky's neo-classical score.
About
Robert Craft first met Stravinsky on the same day that Auden delivered the completed libretto to the composer, and was directly involved in what he describes as “the first step” in the composition of The Rake’s Progress.
This was principally with regard to helping Stravinsky master the pronunciation, vocabulary and rhythms of the English text, and sharing the composer’s excitement as the brilliantly conceived score took shape.
This 1993 recording, conducted by Craft, is no less significant than Stravinsky’s 1953 Metropolitan Opera recording, available on Naxos Historical 8111266-67.
“Craft understands Stravinsky's music better than anyone.” Fanfare
Contents and tracklist
- Jayne West (soprano), Jon Garrison (tenor), John Cheek (bass-baritone), Jeffrey Johnson (bass), Arthur Woodley (baritone), Shirley Love (mezzo-soprano), Wendy White (mezzo-soprano), Melvin Lowery (tenor)
- Gregg Smith Singers, St. Luke's Orchestra
- Robert Craft
- Recorded: 10-18 May 1993
- Recording Venue: The Preforming Arts Center, SUNY, Purchase, New York, USA
Awards and reviews
November 2009
An Anglophone cast benefits Auden and Kallman's text while Robert Craft's neat conducting highlights the delicate ironies of Stravinsky's neo-classical score.