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Tavener - Requiem

Elin Manahan Thomas (soprano), Andrew Kennedy (tenor) & Josephine Knight (cello), Ruth Palmer (violin), Josephine Knight (cello)

Royal Liverpool Philharmonic Orchestra, with Royal Liverpool Philharmonic Chorus, Vasily Petrenko

Tavener - Requiem
The main piece here is the premiere of Tavener's Requiem. The last movement is extraordinary: an undulating choral figure is set amidst swells of sound from the orchestra and soloists as the...

Tavener - Requiem

Elin Manahan Thomas (soprano), Andrew Kennedy (tenor) & Josephine Knight (cello), Ruth Palmer (violin), Josephine Knight (cello)

Royal Liverpool Philharmonic Orchestra, with Royal Liverpool Philharmonic Chorus, Vasily Petrenko

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The main piece here is the premiere of Tavener's Requiem. The last movement is extraordinary: an undulating choral figure is set amidst swells of sound from the orchestra and soloists as the...

About

Requiem : Date of recording 28th February 2008, LIVE RECORDING, Liverpool Metropolitan Cathedral

Commissioned by Liverpool Culture Company as part of the 2008 European Capital of Culture Programme.

Mahashakti & Eternal Memory : Date of recording 15th April 2008 RECORDED IN SESSION, Philharmonic Hall, Liverpool

Stephen Johns, Vice President A&R, EMI Classics said, “The live performance of Tavener's Requiem in the Metropolitan Cathedral in Liverpool was a truly unique occasion, and to experience the extraordinary resonances in that space portraying the composer's unifying desire behind the work was particularly memorable. We are very pleased to have been able to capture this great work, and also to set it alongside two beautiful pieces for the talented solo string players, Ruth Palmer and Josephine Knight, all supported by the Royal Liverpool Philharmonic Orchestra and their dynamic young conductor, Vasily Petrenko.”

“The crowd that filled every seat of this great concrete wigwam stood and cheered at the end of this performance … I'm not surprised. The news that the 63-year-old composer … was in intensive care after emergency heart surgery obviously invested this concert with tremendous poignancy. But the Requiem, superbly delivered by the Royal Liverpool Philharmonic Orchestra and Choir under Vasily Petrenko's direction, deserves a standing ovation in its own right. … I found it overwhelmingly touching. ” The Times

Contents and tracklist

I. Primordial White Light
Track length8:19
II. Kyrie eleison
Track length3:49
III. Advaita Vedanta 'The Still Point'
Track length0:55
IV. Kali's Dance
Track length6:32
V. Advaita Vedanta 'The Still Point'
Track length0:53
VI. Interlude
Track length4:32
VII. Ãnanda
Track length9:42
Shakti
Track length8:05
Mahãshakti
Track length10:17
This track is only available as an album download.

Awards and reviews

June 2009

The main piece here is the premiere of Tavener's Requiem. The last movement is extraordinary: an undulating choral figure is set amidst swells of sound from the orchestra and soloists as the piece builds to a dense climax bringing together Hebrew, Sanskrit, Greek and Arabic texts, with Elin Manahan Thomas's pellucid soprano above.

31st May 2009

Written for Liverpool's Metropolitan Cathedral, and using the building's spatial possibilities, it has characteristic moments of heavenly ecstasy. Yet the work also shows new fervour and robustness which will surprise those who assume Tavener is stuck in a holy-minimalist rut. The Dies Irae roars ferociously, while the final "Ananda" floats away into the ether. The short, contemplative "Eternal Memory" and "Mahashakti" make fitting companion pieces. Beautifully performed by all.

10th June 2009

It interweaves the Latin Mass with Islamic and Hindu texts in an ingeniously symmetrical design. There are wonderful moments, like the interlude for solo cello (played by Josephine Knight) and the RLPO’s brass section.

2nd May 2009

John Tavener’s Requiem makes a benignly atmospheric impression as solo cello, voices and orchestra muse, dispute and finally reach spiritual unity. Elin Manahan Thomas’s pure soprano, meanwhile, is splendidly displayed. A good Tavener programme, and a fine advert for Petrenko and the Liverpool Philharmonic.
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