Daniel Hope - Air
A baroque journey
Daniel Hope (violin)
In all, here's a striking demonstration of the sheer variety and invention of Baroque violin composers… Although by no means 'period' performances… they are admirably stylish. Hope uses vibrato...
Daniel Hope - Air
A baroque journey
Daniel Hope (violin)
Purchase product
In all, here's a striking demonstration of the sheer variety and invention of Baroque violin composers… Although by no means 'period' performances… they are admirably stylish. Hope uses vibrato...
About
Air sets out to trace a baroque journey. It is the story of four unique composers, three of whom were virtuoso violinists - Falconiero, Matteis and Geminiani from Italy, and Westhoff from Germany. They wandered throughout Europe during the 17th and 18th centuries in search of musical inspiration and cross-pollination, and their music and art of performance intrigued and delighted kings, contemporaries and audiences alike
This album shows how diverse the music of the baroque era was. Air blends the simplest and at times most primitive forms of dance music with the most sophisticated and revolutionary compositions of the day, culminating in a work by Bach - the great master, whose title is Hope’s inspiration for this collection, that also includes hits like Pachelbel’s Canon or Handel’s Sarabande
Daniel Hope, who developed the concept of this album throughout the last months, will be an excellent and charismatic spokesperson for this exciting project.
Contents and tracklist
- Daniel Hope (violin), Lorenza Borrani (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Stewart Eaton (viola), William Conway (cello), Enno Senft (doublebass), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Stewart Eaton (viola), Jonathan Cohen (cello), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Stewart Eaton (viola), Jonathan Cohen (cello), Kristian Bezuidenhout (organ)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Stewart Eaton (viola), William Conway (cello), Enno Senft (doublebass), Kristian Bezuidenhout (organ), Stefan Maass (theorbo), Stefan Rath (theorbo), Kristian Bezuidenhout (harpsichord)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Stewart Eaton (viola), William Conway (cello), Enno Senft (doublebass), Kristian Bezuidenhout (organ), Stefan Maass (theorbo), Stefan Rath (theorbo), Kristian Bezuidenhout (harpsichord)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Jonathan Cohen (cello), Kristian Bezuidenhout (harpsichord), Stefan Maass (theorbo), Stefan Rath (theorbo), Hans-Kristian Kjos Sorensen (percussion)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
- Daniel Hope (violin), Lorenza Borrani (violin), Lucy Gould (violin), Stewart Eaton (viola), William Conway (cello), Enno Senft (doublebass), Stefan Maass (theorbo), Stefan Rath (theorbo)
- Recorded: 2009-06-23
- Recording Venue: Nimbus Concert Hall Wyaston
Awards and reviews
Christmas 2009
In all, here's a striking demonstration of the sheer variety and invention of Baroque violin composers… Although by no means 'period' performances… they are admirably stylish. Hope uses vibrato as a colour and there are some delightful hues in the five continuo options, plucked and keyed.
November 2009
…This is an exciting disc with a heady, pied-piper power over the listener that comes from realising that the bright sense of discovery once felt by these composers is being experienced just as much by their modern-day interpreters.