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Bridge - Piano Trios

Jack Liebeck (violin), Alexander Chaushian (cello) & Ashley Wass (piano)

Bridge - Piano Trios
Frank Bridge's two piano trios make a natural coupling. The 1907 Phantasie Trio is a prime example of the ruggedly mellifluous chamber style of his early years… The much larger Trio No. 2...

Bridge - Piano Trios

Jack Liebeck (violin), Alexander Chaushian (cello) & Ashley Wass (piano)

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This release includes a digital booklet

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Frank Bridge's two piano trios make a natural coupling. The 1907 Phantasie Trio is a prime example of the ruggedly mellifluous chamber style of his early years… The much larger Trio No. 2...

About

Frank Bridge’s reputation as the teacher of his most famous student, Benjamin Britten, has long hindered appreciation of his own impeccably crafted music.

Between the early Phantasie Trio (1907) and Miniatures (1908) and the masterful Piano Trio No. 2 (1928-29), Bridge developed from being a pupil of Stanford to becoming a composer whose music — by turns graceful, nocturnal and vigorous — pointed towards the future.

Contents and tracklist

I. Allegro moderato ma con fuoco
Track length6:19
II. Andante con molto espressione
Track length2:22
III. Allegro scherzoso
Track length4:05
IV. Allegro moderato
Track length3:45
I. Allegretto
Track length11:42
II. Molto allegro
Track length5:05
III. Andante molto
Track length6:26
IV. Allegro ma non troppo
Track length8:37
No. 1, Minuet
Track length2:41
No. 2, Gavotte
Track length2:21
No. 3, Allegretto
Track length1:17
No. 4, Romance
Track length4:30
No. 5, Intermezzo
Track length1:43
No. 6, Saltarello
Track length2:15
No. 7, Valse russe
Track length3:21
No. 8, Hornpipe
Track length2:50
No. 9, Marche militaire
Track length3:06

Awards and reviews

March 2009

Frank Bridge's two piano trios make a natural coupling. The 1907 Phantasie Trio is a prime example of the ruggedly mellifluous chamber style of his early years… The much larger Trio No. 2 (1928-29), on the other hand, is an austere, haunted masterpiece in his later idiom... The players on this new disc, including noted Bridge specialist Ashley Wass as pianist, understand these widely divergent idioms perfectly, and display some superb ensemble playing: their account of the Molto allegro of Trio No. 2 - at once feather-light and sinister - is nothing other than a joy to hear.

2010

How encouraging to see Ashley Wass branching into Bridge's chamber output – and with such gifted colleagues, too. This Naxos version of the adorable, Cobbett Prize-winning Phantasie Trio is an adroit and boldly characterised affair. The three sets of Miniatures probably date from the following year and comprise nine exquisitely crafted and tuneful morsels originally intended for domestic use. They're best dipped into rather than played at one stretch, but all are dispatched with sizzling panache and evident relish by these elegant performers.
Of course, the masterpiece here is the epic Second Piano Trio of 1929, one of Bridge's most cogent, questing and durable utterances, whose radical language so bamboozled the largely conservative British critics of the period. Wass and company lend it exhilarating advocacy in a realisation of enviable security, unswerving concentration and burning conviction. Tip-top production values and exemplary notes set the seal on an irresistible bargain.

April 2009

…the masterpiece here is the epic Second Piano Trio of 1929, one of Bridge's most cogent, questing and durable utterances, whose radical language so bamboozled the largely conservative British critics of the period. Wass and company lend it exhilarating advocacy in a realisation of enviable security, unswerving concentration and burning conviction. Tip-top production values from Andrew Walton and exemplary notes by Andrew Burn set the seal on an irresistible bargain.

22nd May 2009

These are important and fascinating discs, which anyone interested in 20th-century British music should hear.
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