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Purcell: Dido and Aeneas

Simone Kermes (Dido), Dimitris Tiliakos (Aeneas), Deborah York (Belinda), Oleg Ryabets (Sorceress), Margarita Mezentseva, Sofia Fomina, Yana Mamonova, Elena Kondratova, Valeria Safonova & Alexandre Zverev

New Siberian Singers (chamber choir of the Novosibirsk State Academic Opera &...

Purcell: Dido and Aeneas
Currentzis reminds us that this is, first and foremost, an opera about desire, and offers us something at once sexier and more probingly tragic. MusicAeterna's playing doesn't have the OAE's...

Purcell: Dido and Aeneas

Simone Kermes (Dido), Dimitris Tiliakos (Aeneas), Deborah York (Belinda), Oleg Ryabets (Sorceress), Margarita Mezentseva, Sofia Fomina, Yana Mamonova, Elena Kondratova, Valeria Safonova & Alexandre Zverev

New Siberian Singers (chamber choir of the Novosibirsk State Academic Opera &...

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Currentzis reminds us that this is, first and foremost, an opera about desire, and offers us something at once sexier and more probingly tragic. MusicAeterna's playing doesn't have the OAE's...

About

"We tend to think we know everything and live with our comfortable prejudices and routines as indeed it is easier to acknowledge than to discover. Thus fared Baroque music; it was rediscovered by the middle of the twentieth century, retrieved by investigative and passionate souls from the oblivion in which it had been precipitated in the holy name of Progress. Not unlike ideas, however, music is very dependent on individual attitudes. It is not felt or interpreted in France or The Netherlands as in Italy or Spain and over the last few years we've been blessed by a surprisingly wide variety of savours and colours reflecting the schools and the temperament of the various interpreters. Alpha, who's calling it is to follow and reveal artistic diversity, release the first recording of the MusicAeterna from Novosibirsk, conducted by Teodor Currentzis: a lively illustration of a new approach emanating from an alternative perspective. For citizens of London,Amsterdam or Paris, Dido & Aeneas is a civilised, slightly watered-down court opera. Seen from Siberia however, it is an intolerably tense and purifying ritual drama, rooted in the sacred origins of tragedy.What you will hear has no relation to the 'conventional' stylistic consensus governing the small world of ancient music. Here the East takes 18th-century baroque by storm, giving the myth of Carthage's Queen a weight and a sensuality which we're not used to. To sum up : a real performance, in the ancient and truly philosophical meaning of the work." Jean-Paul Combet, founder and artistic director, Alpha

Artists

Simone Kermes (Dido), Dimitris Tiliakos (Aeneas), Deborah York (Belinda), Oleg Ryabets (Sorceress), Margarita Mezentseva, Sofia Fomina, Yana Mamonova, Elena Kondratova, Valeria Safonova & Alexandre Zverev

New Siberian Singers (chamber choir of the Novosibirsk State Academic Opera & Ballet Theatre) & MusicAeterna, Teodor Currentzis

Contents and tracklist

Dido & Aeneas, Act I, Z. 626: Shake the Cloud
Track length1:08
Dido & Aeneas, Act I, Z. 626: Ah ! Belinda
Track length4:48
Dido & Aeneas, Act I, Z. 626: Grief Increases
Track length0:38
Dido & Aeneas, Act I, Z. 626: Chorus "When Monarch Unites"
Track length0:13
Dido & Aeneas, Act I, Z. 626: Whence Could so Much Virtue Spring
Track length2:08
Dido & Aeneas, Act I, Z. 626: Chorus "Fear No Danger"
Track length2:20
Dido & Aeneas, Act I, Z. 626: See, See
Track length0:54
Dido & Aeneas, Act I, Z. 626: Chorus "Cupid Only Throws"
Track length0:35
Dido & Aeneas, Act I, Z. 626: If Not for Mine
Track length0:24
Dido & Aeneas, Act I, Z. 626: Pursue Thy Conquest
Track length0:45
Dido & Aeneas, Act I, Z. 626: Chorus "To the Hills"
Track length2:32
Dido & Aeneas, Act II, Z. 626: Prelude for the Witches
Track length2:31
Dido & Aeneas, Act II, Z. 626: Chorus "Harm's Our Delight"
Track length0:15
Dido & Aeneas, Act II, Z. 626: The Queen of Carthage
Track length0:30
Dido & Aeneas, Act II, Z. 626: No. 1, "Ho, ho, ho"
Track length0:10
Dido & Aeneas, Act II, Z. 626: Ruin'd Ere the Set of Sun
Track length0:56
Dido & Aeneas, Act II, Z. 626: No.2 "Ho, ho, ho"
Track length0:10
Dido & Aeneas, Act II, Z. 626: But Ere We This Perform
Track length1:06
Dido & Aeneas, Act II, Z. 626: Chorus "In Our Deep Vaulted Cell"
Track length2:03
Dido & Aeneas, Act II, Z. 626: Echo Dance of Furies
Track length0:57
Dido & Aeneas, Act II, Z. 626: Ritornelle
Track length0:38
Dido & Aeneas, Act II, Z. 626: Thanks to These Lonesome Vales
Track length2:55
Dido & Aeneas, Act II, Z. 626: Guitar Chacone
Track length2:31
Dido & Aeneas, Act II, Z. 626: Oft She Visits
Track length1:54
Dido & Aeneas, Act II, Z. 626: Behold, Upon My Bending Spear
Track length0:37
Dido & Aeneas, Act II, Z. 626: Haste, Haste to Town
Track length0:45
Dido & Aeneas, Act II, Z. 626: Stay, Prince
Track length2:44
Dido & Aeneas, Act III, Z. 626: Prelude
Track length1:15
Dido & Aeneas, Act III, Z. 626: The Sailor's Dance
Track length0:51
Dido & Aeneas, Act III, Z. 626: See, See the Flags
Track length0:59
Dido & Aeneas, Act III, Z. 626: Our Next Motion
Track length0:39
Dido & Aeneas, Act III, Z. 626: Chorus "Detruction's Our Delight"
Track length0:29
Dido & Aeneas, Act III, Z. 626: The Witches' Dance
Track length2:09
Dido & Aeneas, Act III, Z. 626: Your Counsel
Track length6:07
Dido & Aeneas, Act III, Z. 626: Chorus "Great Minds"
Track length1:02
Dido & Aeneas, Act III, Z. 626: Thy hand, Belinda
Track length1:03
Dido & Aeneas, Act III, Z. 626: Dido's Lament
Track length4:02
Dido & Aeneas, Act III, Z. 626: Chorus "With Drooping Wings"
Track length5:32

Spotlight on this release

Awards and reviews

13th February 2009

Currentzis reminds us that this is, first and foremost, an opera about desire, and offers us something at once sexier and more probingly tragic. MusicAeterna's playing doesn't have the OAE's refinement, but is infinitely warmer in sound and far more energetically committed. Dido - a soprano here, rather than the usual mezzo - is the remarkable Simone Kermes, whose subtly inflected singing exposes disquieting emotional extremes. There's a palpable erotic charge between her and Dimitris Taliakos's moody Aeneas, so that we understand completely why Dido's world becomes meaningless without him.
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