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Special offer. Gluck: Alceste

Vienna version

Kirsten Flagstad (Alceste), Raoul Jobin (Admeto), Alexander Young (Evandro), Marion Lowe (Ismene), Thomas Hemsley (Sommo Pontifice/Apollo/Infernal Spirit), Joan Clark (Eumelo), Rosemary Thayer (Aspasia), James Atkins (Herald/Oracle)

The Geraint Jones Singers and Orchestra, Geraint Jones

Gluck: Alceste
It would not be idle to assert that Flagstad sounds like a young woman. Her top notes are strained and her intonation is often shaky. But she handles the words effectively enough to make you...

Special offer. Gluck: Alceste

Vienna version

Kirsten Flagstad (Alceste), Raoul Jobin (Admeto), Alexander Young (Evandro), Marion Lowe (Ismene), Thomas Hemsley (Sommo Pontifice/Apollo/Infernal Spirit), Joan Clark (Eumelo), Rosemary Thayer (Aspasia), James Atkins (Herald/Oracle)

The Geraint Jones Singers and Orchestra, Geraint Jones

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It would not be idle to assert that Flagstad sounds like a young woman. Her top notes are strained and her intonation is often shaky. But she handles the words effectively enough to make you...

About

Gluck was the first great opera reformer, who restored opera to the principles that governed the true pioneers a century and a half earlier. This new disc on Profil is an original studio recording made by Decca in 1956 which aimed to mark the relationship between Gluck and the other great reformer, Richard Wagner, by appointing the title role to the great Brünnhilde and Isolde of the day, Kirsten Flagstad.

“[Flagstad] handles the words effectively…to make you feel for this rather chilling heroine. Best of all are the great choral tableaux, which Geraint Jones conducts with due weight and solemnity.” Gramophone

Contents and tracklist

Intrada
Track length5:24
Recitative. Popoli che dolenti (Banditore, Popolo, Ismene, Evandro)
Track length10:20
Chorus. Missero Admeto (Popolo, Alceste, Eumelo, Aspasia, Ismene, Evandro)
Track length15:08
Ballo (High Priest, Priests)
Track length7:46
Recitative. Nume, eterno, immortal (Alceste, Priests, Popolo, High Priest)
Track length7:45
Recitative. Ove son, che ascoltai? (Alceste)
Track length6:50
Recitative. Ah, t'affretta, o regina (Evandro, Ismene, Alceste)
Track length2:19
Chorus. E non s'offerse alcuno? (Soloists, Ismene, Evandro, Popolo)
Track length4:53
Recitative. Ferma. Perche abbandoni (Ismene, Alceste)
Track length4:19
Recititave: Parti, sola restai (Alceste, Infernal Spirit, Infernal Spirits)
Track length16:14
Chorus. Dal lieto soggiorno (Cortigiani, Cavalieri, Evandro)
Track length10:54
Recitative. Signor, mai più sincero (Evandro, Admeto)
Track length3:04
Recitative. Adorata consorte (Admeto, Alceste)
Track length16:22
Recitative. O tenerezza! O amore! (Alceste, Seguito d' Alceste, Ismene, Eumelo, Aspasia)
Track length24:08
This track is only available as an album download.
Recitative. Ah mio fido! (Evandro, Admeto)
Track length6:41
Recitative. Sposo, Admeto, idol mio! (Alceste, Admeto, Evandro, Ismene, Infernal Spirits)
Track length8:58
Sinfonia - Recitative. Mori? (Evandro, Ismene)
Track length13:24
Recitative. Lasciatemi, crudeli (Admeto, Ismene, Evandro)
Track length2:48

Awards and reviews

Awards Issue 2008

It would not be idle to assert that Flagstad sounds like a young woman. Her top notes are strained and her intonation is often shaky. But she handles the words effectively enough to make you feel for this rather chilly heroine. Best… are the great choral tableaux, which Geraint Jones conducts with due weight and solemnity.
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