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Beethoven - Symphony No. 4

Leon Spierer (solo violin)

Berliner Philharmoniker, Herbert von Karajan

Beethoven - Symphony No. 4

Awards:

For anyone lucky enough to have secured a ticket few orchestral concerts have remained so vividly in the memory as the one given by Karajan's incomparable Berlin Philharmonic in London's Royal...

Beethoven - Symphony No. 4

Leon Spierer (solo violin)

Berliner Philharmoniker, Herbert von Karajan

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Awards:

For anyone lucky enough to have secured a ticket few orchestral concerts have remained so vividly in the memory as the one given by Karajan's incomparable Berlin Philharmonic in London's Royal...

About

The concert which Karajan and the Berlin Philharmonic gave in London’s Royal Festival Hall on the evening of Saturday 27 April 1985 was their first in England for four years. In May 1981 they had played Bruckner’s Fifth Symphony in the Royal Festival Hall and given an unforgettable concert of music by Bach, Mozart and Richard Strauss in Oxford’s Sheldonian Theatre. London had not been included in the orchestra’s itinerary in its centenary year in 1982 and for much of 1983-84 Karajan and the orchestra had barely been on speaking terms. Since the centenary year had been something of a high water mark in this hitherto sensationally successful 27-year partnership, the breakdown in relations came as something of a shock to the musical world. There were times in 1984 when it looked as if the two parties would go their separate ways; finally, a reconciliation was effected in the late summer of that year ahead of a scheduled tour of Japan and South Korea. The Krach was ostensibly over the appointment of a new clarinettist but there were other factors too, not least Karajan’s advancing years and stirrings among a contingent of mainly younger players keen to assert their independence and exploit the financial strength which the orchestra’s sky-high reputation now conferred on them. Throughout his life, Karajan had been noted for his extraordinary mental and physical prowess. Now in his mid-70s, he was troubled by a painful and ultimately irreversible spinal condition that had nearly cost him his life in the winter of 1975-76. He had soldiered on but even his energies were finite. In April 1985, he had invited Klaus Tennstedt to share the conducting burden at the Salzburg Easter Festival. ‘It was good to have Karajan and the Berlin Philharmonic, happily reunited after a prolonged disagreement, pay their first visit to the Festival Hall – an event said to have caused prices of black market tickets to reach astronomical heights,’ wrote Peter Stadlen in the Daily Telegraph. The audience was clearly shocked to see how frail Karajan had become as he edged towards the rostrum. (He himself likened his experience of walking unaided in his later years to stepping on sheet ice.) The Times reported a slight stumble in the advance, at which point ‘the applause hiccupped in a breathless unison’. Yet once settled on the podium, Karajan was, as ever, fully in control, master of all he surveyed. Extract from the booklet note © Richard Osborne, 2008

Contents and tracklist

Beethoven: Symphony No.4 In B-Flat, op.60 - I. Adagio - Allegro Vivace
Beethoven: Symphony No.4 In B-Flat, op.60 - II. Adagio
Beethoven: Symphony No.4 In B-Flat, op.60 - III. Allegro Vivace
Beethoven: Symphony No.4 In B-Flat, op.60 - IV. Allegro Ma Non Troppo
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Der Held
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Des Helden Widersacher
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Des Helden Gefahrtin
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Des Helden Walstatt
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Des Helden Friedenswerke
R. Strauss: Ein Heldenleben - Symfonische Dichtung, Op.40 - Des Helden Weltflucht & Vollendung

Awards and reviews

2010

For anyone lucky enough to have secured a ticket few orchestral concerts have remained so vividly in the memory as the one given by Karajan's incomparable Berlin Philharmonic in London's Royal Festival Hall on April 27, 1985.
The surprises began with the conductor's own physical frailty. Edging unsteadily towards the rostrum and propping himself up against the railing, he adopted the peculiar posture that enabled him to remain upright and in command notwithstanding a debilitating spinal condition.
In truth the Beethoven was and is a gift to his many detractors. With the maestro unwilling or unable to lift his arms, the band turns in its patented imitation of a gramophone record. Surfaces are immaculate but it's like being trapped in a pudding without air in the texture. Phrases, even whole sections glide by with no intake of breath and the first two movements in particular may induce feelings of claustrophobia in younger listeners. They should persevere.
No superlatives can convey the inevitability, conviction and sweep of Karajan's Heldenleben which makes even this notoriously shrill-sounding venue resound in glory. The original BBC sound team of producer Misha Donat and balance engineer John McCulloch capture a paradoxical sonority, rich yet transparent, 'lambent in its beauty, never cloying or opaque' as described by Richard Osborne in his characteristically generous booklet-notes. The battle scene may be slow but was it ever more incisively chronicled? The Strauss at least is indispensable.

2011 edition

Karajan's Beethoven Fourth was recorded when the Berlin Philharmonic came to London in 1985. Its excellent speaks for itself and the coupling is equally memorable.
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