Foster, Griffes & Copland - Songs
Thomas Hampson, Jay Ungar, David Alpher, Molly Mason, Deborah Voight, Brian Zeger & Barbara Hendricks
Barbara Hendricks is securely idiomatic in Copland's wonder-filled Emily Dickinson settings and in Barber's gently nostalgic Knoxville: Summer of 1915.
Foster, Griffes & Copland - Songs
Thomas Hampson, Jay Ungar, David Alpher, Molly Mason, Deborah Voight, Brian Zeger & Barbara Hendricks
Purchase product
Barbara Hendricks is securely idiomatic in Copland's wonder-filled Emily Dickinson settings and in Barber's gently nostalgic Knoxville: Summer of 1915.
About
The earliest music in this release of American Classics is from Stephen Foster (1826-1864), whose songs were immensely popular during his lifetime, and still are today, almost 150 years after his death.
Charles Tomlinson Griffes (1884-1920) came to prominence during the early years of the 20th century as a follower of the French Impressionists and he is best known for his impressionistic orchestral works: The White Peacock, The Pleasure Dome of Kubla Khan and the Poème for flute and orchestra. Here we have an opportunity to hear some of Griffes songs sung by Deborah Voigt.
With the Eight Poems of Emily Dickinson we have a marriage of music by one of the greatest American composers with the words of one of their greatest poets. The poetry of the reclusive Dickinson is elusive and not easily understood. A good way into understanding her poetry is listen to Copland's wonderful settings.
Contents and tracklist
- Jay Ungar (director), Jay Ungar (violin), Thomas Hampson (vocals)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- David Alpher (piano), Jay Ungar (director), Jay Ungar (violin), Michael Parloff (flute), Molly Mason (guitar), Thomas Hampson (bass-baritone)
- Recorded: 1992-04-08
- Recording Venue: BMG Studios, NYC
- Thomas Hampson (bass-baritone), David Alpher (piano), Garrison Keillor (voices), Jay Ungar (director), Jay Ungar (violin), Mark Rust (voices), Molly Mason (double bass), Molly Mason (guitar), Molly Mason (voices), Tony Trischka (banjo)
- Recorded: 1992-04-08
- Recording Venue: BMG Studios, NYC
- Thomas Hampson (bass-baritone), David Alpher (piano), Jay Ungar (director)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Arnie Kinsella (percussion), Dave Bargeron (tuba), Evan Stover (violin), Jay Ungar (director), Matt Glaser (violin), Molly Mason (guitar), Peter Ecklund (cornet), Tony Trischka (banjo), Jay Ungar (violin), Molly Mason (piano), Thomas Hampson (vocals)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Thomas Hampson (baritone), David Alpher (piano), Jay Ungar (mandolin), Molly Mason (guitar)
- Recorded: 1992-04-08
- Recording Venue: BMG Studios, NYC
- Arnie Kinsella (percussion), Molly Mason (guitar), Dave Bargeron (tuba), Tony Trischka (banjo), David Alpher (piano), Jay Ungar (director), Thomas Hampson (bass-baritone), Peter Ecklund (cornet), Mark Rust (voices), John Kirk (voices), Jay Ungar (violin)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Tony Trischka (banjo), Thomas Hampson (vocals), Molly Mason (guitar), Molly Mason (double bass), Evan Stover (violin), Matt Glaser (violin), Jay Ungar (violin), Jay Ungar (director)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Thomas Hampson (bass-baritone), David Alpher (piano), Jay Ungar (director)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Thomas Hampson (bass-baritone), David Alpher (piano)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- Thomas Hampson (bass-baritone), David Alpher (piano), Jay Ungar (director)
- Recorded: 1992-07-10
- Recording Venue: 8 & 9 April, 6 May and 8-10 July 1992, BMG Studios, New York
- David Alpher (piano), Jay Ungar (director), Jay Ungar (violin), Molly Mason (double bass), Molly Mason (guitar), Thomas Hampson (bass-baritone)
- Recorded: 1992-04-08
- Recording Venue: BMG Studios, NYC
- Deborah Voigt (vocals)
- Recorded: 2005-02-13
- Recording Venue: Recorded Feb. 9, 10, 12, 13 - 2005: American Academy Arts & Letters - NYC, NY - USA
- Deborah Voigt (vocals)
- Recorded: 2005-02-13
- Recording Venue: Recorded Feb. 9, 10, 12, 13 - 2005: American Academy Arts & Letters - NYC, NY - USA
- Deborah Voigt (vocals)
- Recorded: 2005-02-13
- Recording Venue: Recorded Feb. 9, 10, 12, 13 - 2005: American Academy Arts & Letters - NYC, NY - USA
- Deborah Voigt (vocals)
- Recorded: 2005-02-13
- Recording Venue: Recorded Feb. 9, 10, 12, 13 - 2005: American Academy Arts & Letters - NYC, NY - USA
- Barbara Hendricks (soprano)
- London Symphony Orchestra
- Michael Tilson Thomas
- Recorded: 1994-05-24
- Recording Venue: 20-21 & 23-24 May 1994: Abbey Road Studios, London London
Awards and reviews
April 2006
Barbara Hendricks is securely idiomatic in Copland's wonder-filled Emily Dickinson settings and in Barber's gently nostalgic Knoxville: Summer of 1915.