Special offer. Strauss, R: Salome
Susan Bullock (Salome), John Wegner (Jokanaan), Sally Burgess (Herodias), John Graham Hall (Herod Antipas), Andrew Rees (Narraboth), Rebecca de Pont Davies (Page)
Philharmonia Orchestra, Sir Charles Mackerras
Awards:
-
Presto Recording of the Week, 20th October 2008
…Bullock underlines the increasing insistence of Salome's demand for John's head… and keeps the meaning clear even when riding the orchestra in her love-death. If it were only for the orchestra...
Special offer. Strauss, R: Salome
Susan Bullock (Salome), John Wegner (Jokanaan), Sally Burgess (Herodias), John Graham Hall (Herod Antipas), Andrew Rees (Narraboth), Rebecca de Pont Davies (Page)
Philharmonia Orchestra, Sir Charles Mackerras
Purchase product
Awards:
-
Presto Recording of the Week, 20th October 2008
…Bullock underlines the increasing insistence of Salome's demand for John's head… and keeps the meaning clear even when riding the orchestra in her love-death. If it were only for the orchestra...
About
Sir Charles Mackerras’s recordings are well-established collectors’ items. His consistently brilliant reviews confirm that his music-making belies his years, and his new opera recordings have become benchmarks for the Chandos Opera in English series.
Chandos’s disc of the month sees Sir Charles pick up his baton to conduct leading dramatic soprano, Susan Bullock and the Philharmonia Orchestra in his first ever recording of Richard Strauss’s Salome. This is also the premiere recording in English and follows the Grammy win for Hansel and Gretel earlier this year.
Richard Strauss is a composer for whom Sir Charles holds in deep affection. He explains “I’m just amazed that he could have written it [Salome]. Every page has something that hadn’t been done before, not even by Wagner. Bitonality, whole tone scales, everything! Endlessly varying the leitmotifs so that they take on different meaning… remarkable, and such a lesson in the use of the orchestra… it’s just superb… even if you have not heard a note of Strauss before you will be swept along by the power of the music.”
Susan Bullock has previously performed Salome in the concert format and her performances in the role of Strauss’s Elektra have brought her international acclaim. MusicWeb International wrote of her Salome “we were treated to a show-stealing dramatic performance in which her character’s complicated and confused emotions were plainly visible.” She performed the role of Elektra at the Royal Opera House, Covent Garden in November 2008
Contents and tracklist
- John Graham-Hall (tenor), Sally Burgess (mezzo-soprano), Susan Bullock (soprano), John Wegner (baritone), Andrew Rees (tenor), Rebecca de Pont Davies (mezzo-soprano), Anton Rich (tenor), Wynne Evans (tenor), Colin Judson (tenor), Alasdair Elliott (tenor), Jeremy White (bass), Michael Druiett (bass), Robert Parry (tenor), Graeme Broadbent (bass), Alan Ewing (bass), Roger Begley (bass), Gerald Strainer (tenor)
- Philharmonia Orchestra
- Sir Charles Mackerras
- Recorded: 16-18 / 20-22 December 2007
- Recording Venue: Watford Colosseum, UK
- Philharmonia Orchestra
- Sir Charles Mackerras
- Recorded: 16 - 18 / 20 - 22 December 2007
- Recording Venue: Watford Colosseum, UK
Awards and reviews
-
Presto Recording of the Week20th October 2008
December 2008
…Bullock underlines the increasing insistence of Salome's demand for John's head… and keeps the meaning clear even when riding the orchestra in her love-death. If it were only for the orchestra alone, this would now be the Salome of choice… ineffably paced towards shocking climaxes, diaphanously clear, full of expressive orchestral solos (first violin especially) and naturally balanced...
January 2009
Language apart, the distinction of this recording lies in the superb playing of the Philharmonia Orchestra under Sir Charles Mackerras.
7th November 2008
Mackerras is not usually mentioned when outstanding Strauss conductors are considered. But as this latest addition to Chandos's Opera in English series shows, he is an outstanding Straussian, and it's his account of a score that, in the past, has been characterised as a tone poem with voices, together with the Philharmonia's gorgeously vivid playing of it, that makes this so memorable.