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Special offer. Bach - Cantatas

Agnes Giebel, Sheila Armstrong, Rotraus Hansmann (sopranos), Julia Falk, Helen Watts (altos), Bert van t’Hoff, Kurt Equiluz (tenors) & Jacques Villisech, Max van Egmond (basses)

Monteverdi Choir Hamburg, Jürgen Jürgens

Bach - Cantatas
Patches of engaging music-making here, though giving more insight into 1960s Hamburg than 1720s Leipzig. Choruses are often woolly, soloists vary from off-the-voice big voices to insecure,...

Special offer. Bach - Cantatas

Agnes Giebel, Sheila Armstrong, Rotraus Hansmann (sopranos), Julia Falk, Helen Watts (altos), Bert van t’Hoff, Kurt Equiluz (tenors) & Jacques Villisech, Max van Egmond (basses)

Monteverdi Choir Hamburg, Jürgen Jürgens

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($11.75) Reduced price $9.00

320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
Patches of engaging music-making here, though giving more insight into 1960s Hamburg than 1720s Leipzig. Choruses are often woolly, soloists vary from off-the-voice big voices to insecure,...

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Contents and tracklist

I Sonatina
Track length2:46
II Chorus "Gottes Zeit ist die beste Zeit"
Track length8:53
III Duet [alto, bass] "In deine Hände"
Track length5:39
I Sonata
Track length2:05
II Chorus - "Himmelskönig, sei willkommen" [Choir]
Track length3:16
III Recit [bass] "Siehe, ich komme"
Track length0:50
IV Aria [bass] "Starkes Lieben"
Track length3:30
V Aria [alto] "Leget euch dem Heiland unter"
Track length7:01
VI Aria [tenor] "Jesu, laß durch Wohl und Weh"
Track length5:39
VII Chorale "Jesu, deine Passion"
Track length3:27
VIII Chorus "So lasset uns gehen in Salem der Freuden"
Track length4:14
I Concerto
Track length3:24
II Aria - "Tritt auf die Glaubensbahn" [Bass]
Track length3:12
III Recitative - "Der Heiland ist gesetzt" [Bass]
Track length1:40
IV Aria - "Stein, der über alle Schätze" [Boy Soprano]
Track length4:14
V Recitative - "Es ärgre sich die kluge Welt" [Bass]
Track length1:17
VI Duet - "Wie soll ich dich, Liebster der Seelen, umfassen?" [Boy Soprano, Bass]
Track length4:50
I Sinfonia
Track length3:10
II Recitative - "Gleichwie der Regen und Schnee" [Bass]
Track length1:05
III Recitative & Litany - "Mein Gott, hier wird mein Herze sein" [Boy Soprano, Tenor, Bass, Choir]
Track length5:50
IV Aria - "Mein Seelenschatz ist Gottes Wort" [Boy Soprano]
Track length3:04
V Chorale - "Ich bitt, o Herr, aus Herzensgrund" [Choir]
Track length1:17
I Aria - "Was soll ich aus dir machen, Ephraim?" [Bass]
Track length3:39
II Recitative - "Ja, freilich sollte Gott" [Alto]
Track length0:48
III Aria - "Ein unbarmherziges Gerichte" [Alto]
Track length3:06
IV Recitative - "Wohlan! mein Herze legt Zorn" [Soprano]
Track length1:01
V Aria - "Gerechter Gott, ach, rechnest du?" [Soprano]
Track length2:32
VI Chorale - "Mir mangelt zwar sehr viel" [Choir]
Track length0:53
I Aria - "Es reisset euch ein schrecklich Ende" [Tenor]
Track length6:40
II Recitative - "Des Höchsten Güte wird von Tag zu Tage neu" [Alto]
Track length1:33
III Aria - "So löschet im Eifer der rächende Ritter" [Bass]
Track length3:44
IV Recitative - "Doch Gottes Auge sieht auf uns als Auserwählte" [Tenor]
Track length0:38
V Chorale - "Leit uns mit deiner rechten Hand" [Choir]
Track length1:09
I Aria - "Komm, du süsse Todesstunde" [Alto]
Track length5:21
II Recitative - "Welt, deine Lust ist Last" [Tenor]
Track length2:13
III Aria - "Mein Verlangen" [Tenor]
Track length6:15
IV Recitative - "Der Schluss ist schon gemacht" [Alto]
Track length2:25
V Chorus - "Wenn es meines Gottes Wille" [Choir]
Track length3:59
VI Chorale - "Der Leib ist zwar in der Erden" [Choir]
Track length1:30
I Duet - "Wer mich liebet" [Soprano, Bass]
Track length3:57
II Recitative - "O, was sind das vor Ehren" [Soprano]
Track length2:06
III Chorale - "Komm, heiliger Geist, Herre Gott" [Choir]
Track length1:47
IV Aria - "Die Welt mit allen Königreichen" [Bass]
Track length2:55

Awards and reviews

March 2009

Patches of engaging music-making here, though giving more insight into 1960s Hamburg than 1720s Leipzig. Choruses are often woolly, soloists vary from off-the-voice big voices to insecure, boyish sounds.
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