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Special offer. Beethoven - Mass in C

Sally Matthews (soprano), Sara Mingardo (mezzo), John Mark Ainsley (tenor) & Alastair Miles (bass)

London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis

Beethoven - Mass in C
..Davis's tempos are generally broad yet incisive… The quartet of soloists… is glorious, the Benedictus particularly well judged.

Special offer. Beethoven - Mass in C

Sally Matthews (soprano), Sara Mingardo (mezzo), John Mark Ainsley (tenor) & Alastair Miles (bass)

London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($8.50) Reduced price $6.00

320 kbps, MP3

Original price ($7.25) Reduced price $5.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
..Davis's tempos are generally broad yet incisive… The quartet of soloists… is glorious, the Benedictus particularly well judged.

About

A high density DSD recording (5.0), live at the Barbican, February 2007.

Jewel case with 24pp booklet with notes in English, French and German.

This title will not be issued on standard CD.

Many of Sir Colin Davis's finest recordings for LSO Live have focused on choral music and opera. Recent titles have included Handel's Messiah, Mozart's Requiem, Berlioz's Benvenuto Cellini and Tippett's A Child of Our Time. Beethoven's early Mass in C is written on a less grandiose scale than the later Missa Solemnis yet contains some of the composer's most sublime music for voices. Sir Colin is joined by a perfectly balanced group of singers in Sally Matthews, Sara Mingardo, John Mark Ainsley and Alastair Miles. The release also includes the Prisoners' Chorus from Sir Colin's celebrated recording of Beethoven's Fidelio. Sir Colin's forthcoming LSO Live releases include Haydn's Creation and Sibelius's Symphonies Nos. 1 & 4. Other future releases on the label include Strauss Eine Alpensinfonie conducted by Bernard Haitink and further titles in Valery Gergiev's critically acclaimed Mahler cycle. Sir Colin Davis recently collected the Best Male Artist award at the Classical Brits for the second time.

Contents and tracklist

Awards and reviews

November 2008

..Davis's tempos are generally broad yet incisive… The quartet of soloists… is glorious, the Benedictus particularly well judged.

Davis leads a superb quartet of soloists and brings out all the humanity and tenderness of the music with his customary skill. The London Symphony Chorus responds brilliantly...another winner from LSO Live

November 2008

The singing of the LSO Chorus is incandescent throughout, with high dynamic contrasts so that the fortissimos hit the ear thrillingly… The Gloria opens with thrilling attack, and so does the Credo… The soloists make a first-rate team…

a dramatic performance of a dramatic work

classicalsource.com

Davis treats Beethoven’s earlier setting with as much reverence, expressive depth and commitment as is usually reserved for its successor...The chorus is consistently impressive, its large size belied by superb homogeneity and precision. The soloists are as strong and well rounded a quartet as have ever been assembled for this work
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