Puccini - Il Trittico
Tito Gobbi (Michele), Giacinto Prandelli (Luigi), Piero De Palma (Il Tinca), Plinio Clabassi (Il Talpa), Margaret Mas (Giorgetta), Miriam Pirazzini (La Frugola), Renato Ercolani (Venditore di canzonette), Piero De Palma & Silvia Bertona (Due amanti), Victoria De Los Angeles (Suor Angelica), Fedora...
Only Gianni Schicchi is in stereo, but this remains the most ripely idiomatic set of Puccini's three-parter.
Puccini - Il Trittico
Tito Gobbi (Michele), Giacinto Prandelli (Luigi), Piero De Palma (Il Tinca), Plinio Clabassi (Il Talpa), Margaret Mas (Giorgetta), Miriam Pirazzini (La Frugola), Renato Ercolani (Venditore di canzonette), Piero De Palma & Silvia Bertona (Due amanti), Victoria De Los Angeles (Suor Angelica), Fedora...
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Only Gianni Schicchi is in stereo, but this remains the most ripely idiomatic set of Puccini's three-parter.
About
Il trittico was first heard in Italy, in Rome, in January 1919. The easy success achieved by Gianni Schicchi wherever it was performed meant that soon theatres were giving it paired with other works. This dismayed Puccini, though later he had to bow to the inevitable. The three operas together, though, have a special unity. Puccini, such a man of the theatre, constructed them in such a way that the theatregoer or listener at home, enjoys the contrast all the more if they are heard in sequence as intended.
These recordings were made at the Rome Opera over three years, and with three conductors. (Gianni Schicchi alone was late enough to be caught in stereo.) They are held together by the casting of Tito Gobbi in the baritone roles in the first and third opera, and by Victoria de los Angeles as the soprano in the second and third.
As Patrick O’Connor’s absorbing note relates, both singers were at the zenith of their careers in the late 1950s. Gobbi first sang in Gianni Schicchi as a beginner in 1939, in the role of Betto di Signa, ‘the poorest of Buoso Donati's relations’. When he was later planning to take on the title-role, he studied the opera with the librettist Forzano, who insisted ‘Our work must be serious. It is for the other people to laugh and enjoy it.’ For Gobbi, the character was essentially ‘A mature man, of course, but with here and there a touch of sharpness, some subtle inflection reminiscent of youthful cheek…still keeping the character of the roguish Florentine boy he once was.’
The recordings have been newly transferred and remastered to ART standard at Abbey Road Studios.
Artists
Tito Gobbi (Michele), Giacinto Prandelli (Luigi), Piero De Palma (Il Tinca), Plinio Clabassi (Il Talpa), Margaret Mas (Giorgetta), Miriam Pirazzini (La Frugola), Renato Ercolani (Venditore di canzonette), Piero De Palma & Silvia Bertona (Due amanti), Victoria De Los Angeles (Suor Angelica), Fedora Barbieri (La Zia Principessa), Mina Doro (La Badessa/La Maestra delle novizie), Corinna Vozza (La Zelatrice), Lidia Marimpietri (Suor Genovieffa/La Cercatrice 1), Santa Chissari (Suor Osmina), Anna Marcangeli (Suor Dolcina), Tito Gobbi (Gianni Schicchi), Victoria De Los Angeles (Lauretta), Anna Maria Canali (Zita), Carlo Del Monte (Rinuccio), Adelio Zagonara (Gherardo), Lidia Marimpietri (Nella), Claudio Cornoldi (Gherardino), Sturno Meletti (Betto di Signa), Paolo Montarsolo (Simone), Fernando Valentini (Marco), Giuliana Raymondi (Ciesca), Alfredo Mariotti (Spinelloccio/Amantio di Nicolao), Virgilio Stoco (Pinellino), Paolo Caroli (Guccio)
Orchestra e Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Vincenzo Bellezza, Tullio Serafin, Gabriele Santini
Contents and tracklist
- Coro del Teatro dell'Opera, Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Margaret Mas (soprano), Tito Gobbi (baritone), Giuseppe Conca (director), Giacinto Prandelli (tenor), Piero de Palma (tenor), Plinio Clabassi (bass), Renato Ercolani (tenor), Miriam Pirazzini (mezzo-soprano), Sylvia Bertona (soprano)
- Coro Del Teatro Dell'Opera Di Roma, Teatro dell'Opera, Roma
- Vincenzo Bellezza
- Victoria de los Angeles (soprano), Corinna Vozza (mezzo-soprano), Mina Doro (mezzo-soprano), Silvia Bertona (soprano), Santa Chissari (soprano), Lydia Marimpietri (soprano), Anna Marcangeli (soprano), Teresa Cantarini (mezzo-soprano), Maria Huder (mezzo-soprano), Fedora Barbieri (mezzo-soprano)
- Coro del Teatro dell'Opera di Roma, Teatro dell'Opera, Roma
- Tullio Serafin
- Alfredo Marceneiro, Adelio Zagonara (tenor), Anna Maria Canali (contralto), Claudio Cornoldi (boy soprano), Fernando Valentini (baritone), Giuliana Raymondi (soprano), Lidia Marimpietri (soprano), Paolo Montarsolo (bass), Saturno Meletti (bass), Carlo Del Monte (tenor), Tito Gobbi (baritone), Victoria de los Angeles (soprano), Alfredo Mariotti (bass), Paolo Caroli (tenor), Virgilio Stoco (baritone)
- Teatro dell'Opera, Roma
- Gabriele Santini
Awards and reviews
July 2009
Only Gianni Schicchi is in stereo, but this remains the most ripely idiomatic set of Puccini's three-parter.
2010 edition
[Michele in Il Tabarro] inspires [Gobbi] to give his very best, both as actor and singer...Though Gobbi's incomparable baritone is not by nature comic-sounding, he is unequalled as Schicchi...the latest EMI transfers are expert, clear and convincingly balanced.