César Franck: Messe a troi voix
Mariann Bódi (soprano), Attila Wendler (tenor), István Rácz (bass), Dezsõ Karasszon (organ)
Debrecen Kodály Choir, Salamon Kamp
Awards:
-
Presto Favourites, Recommended Recording
With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing...
César Franck: Messe a troi voix
Mariann Bódi (soprano), Attila Wendler (tenor), István Rácz (bass), Dezsõ Karasszon (organ)
Debrecen Kodály Choir, Salamon Kamp
Purchase product
Awards:
-
Presto Favourites, Recommended Recording
With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing...
About
Contents and tracklist
- Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezso Karasszon, Andrea Kocsis, Zsolt Molnar, Ferenc Nagy, Debrecen Kodály Choir and Salamon Kamp, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezso Karasszon, Andrea Kocsis, Zsolt Molnar, Ferenc Nagy
- Debrecen Kodály Choir
- Salamon Kamp
- Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezso Karasszon, Andrea Kocsis, Zsolt Molnar, Ferenc Nagy, Debrecen Kodály Choir and Salamon Kamp, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezso Karasszon, Andrea Kocsis, Zsolt Molnar, Ferenc Nagy
- Debrecen Kodály Choir
- Salamon Kamp
Spotlight on this release
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César Franck
13th Mar 2015
David picks out some of the finest recordings of Belgian organist-composer César Franck.
Awards and reviews
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Presto FavouritesRecommended Recording
13th March 2015
With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing works of Widor and Vierne, but on a smaller scale. The well-loved Panis angelicus was incorporated into the Mass by Franck as a Communion motet. The Debrecen Kodály Choir under Salamon Kamp make a convincing case for this largely-neglected Mass setting.
