Special offer. Mahler: Lieder
Christoph Prégardien (Tenor), Michael Gees (Piano)
Beauty and sophistication first surface in the elegies and ghostly bugling of 'Wo die schönen Trompeten blasen', where Prégardien and Gees make a superb case for the intimacy of this combination,...
Special offer. Mahler: Lieder
Christoph Prégardien (Tenor), Michael Gees (Piano)
Purchase product
Beauty and sophistication first surface in the elegies and ghostly bugling of 'Wo die schönen Trompeten blasen', where Prégardien and Gees make a superb case for the intimacy of this combination,...
About
The cosmos of Mahler’ songs is by nature smaller and more straightforward than that of his symphonies, hence the technical style of the songs is also simpler and more limited, never touching upon the borders of the possible in this musical world, as do the symphonies. Yet within these narrow confines and with this modest vocabulary, Mahler achieves an intensity of expression which is hardly inferior to that of his symphonies.
Contents and tracklist
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
- Christoph Prégardien (Tenor), Michael Gees (Piano)
Awards and reviews
Proms 2007
Beauty and sophistication first surface in the elegies and ghostly bugling of 'Wo die schönen Trompeten blasen', where Prégardien and Gees make a superb case for the intimacy of this combination, and resume in the two deepest Rückert settings…
