Special offer. Strauss - Nono - Wagner
Mikhail Nikiforov (Bass), Alexander Yudenkov (Tenor), Ulrike Becker (Alto)
Torsten Müller (Bass), Eva-Maria Schappé (Soprano)
Percussionists of Strasbourg, Southwest German Radio Vocal Ensemble, Stuttgart, Marcus Creed
…unearthly purity of upper voices as the god of Strauss's and Schiller's evening picture descends sets the scene very well indeed. More exciting of all are the climaxes of the real novelties...
Special offer. Strauss - Nono - Wagner
Mikhail Nikiforov (Bass), Alexander Yudenkov (Tenor), Ulrike Becker (Alto)
Torsten Müller (Bass), Eva-Maria Schappé (Soprano)
Percussionists of Strasbourg, Southwest German Radio Vocal Ensemble, Stuttgart, Marcus Creed
Purchase product
…unearthly purity of upper voices as the god of Strauss's and Schiller's evening picture descends sets the scene very well indeed. More exciting of all are the climaxes of the real novelties...
About
This recording presents three different, utterly contrasting responses to the quest for expression and the solution to the old problem of how to merge text and music into a unity. The common theme linking these compositions, "The Passion and Pains of Love", has been wrested from the texts of these choral works: they are poetic declarations of love, descriptions of nature with erotic and intimate imagery, poems that speak of unfulfilled yearning and breaking hearts. Their poetic quality opens a range of expression every bit as varied as the three musical settings they stimulated.
Contents and tracklist
- Eva-Maria Schappé, Kerstin Steube-Konig, Ulrike Becker, Maria van Eldik, Alexander Yudenkov, Julius Pfeifer, Torsten Müller, Mikhail Nikiforov
- Marcus Creed
- SWR Vokalensemble, Percussions de Strasbourg
- Marcus Creed
- Anna Seul
- SWR Vokalensemble, Percussions de Strasbourg
- Marcus Creed
Awards and reviews
July 2006
…unearthly purity of upper voices as the god of Strauss's and Schiller's evening picture descends sets the scene very well indeed. More exciting of all are the climaxes of the real novelties here, Clytus Gottwald's arrangements of the two Wesendonck Lieder which Wagner transfigures in Tristan. ...both settings open out dazzlingly. Sopranos hit spot-on top Ds both here and in a very substantial bonus, Gottwald's even more successful treatment of 'Ich bin der Welt abhanden gekommen' from Mahler's Rückert Lieder.