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Schumann - Maria Stuart Lieder

Bernarda Fink (mezzo soprano) & Anthony Spiri (piano)

Schumann - Maria Stuart Lieder
Bernarda Fink's light, fresh-voiced mezzo is ideally cast in Schumann's early, ardent Myrthen songs… Here, as throughout the recital, her every phrase is illumined and delicately coloured by...

Schumann - Maria Stuart Lieder

Bernarda Fink (mezzo soprano) & Anthony Spiri (piano)

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Bernarda Fink's light, fresh-voiced mezzo is ideally cast in Schumann's early, ardent Myrthen songs… Here, as throughout the recital, her every phrase is illumined and delicately coloured by...

About

“I would like to sing myself to death like a nightingale”, wrote Schumann in 1840, revealing a sudden passion for the lied, a genre he had hitherto disdained. Written in 1852 in a period of intense nervous suffering, the cycle of Poems of Queen Mary Stuart stands out for its austerity and exceptional concentration of resources; it might be seen as Schumann’s testament.

"it's hard to think of a more consistently pleasing example of this voice category recording today" International Record Review, February 2009

Contents and tracklist

No. 4, Jeman
Track length1:31
No. 20, Weit, weit
Track length2:21
No. 19, Hauptmanns Weib
Track length1:05
No. 23, Im Westen
Track length0:55
No. 14, Hochländisches Wiegenlied
Track length2:19
No. 10, Die Hochländer-Witwe
Track length1:26
I. Abschied von Frankreich
Track length1:58
II. Nach der Geburt ihres Sohnes
Track length1:19
III. An die Königin Elisabeth
Track length1:52
IV. Abschied von der Welt
Track length2:43
V. Gebet
Track length2:17
No. 11, Lied der Braut I
Track length2:18
No. 12, Lied der Braut II
Track length1:15
No. 25, Aus den östlichen Rosen
Track length1:50
I. In der Fremde
Track length1:55
II. Intermezzo
Track length1:41
III. Waldesgesprach
Track length2:24
IV. Die Stille
Track length1:32
V. Mondnacht
Track length3:15
VI. Schöne Fremde
Track length1:17
VII. Auf einer Burg
Track length2:53
VIII. In der Fremde
Track length1:30
IX. Wehmut
Track length2:00
X. Zwielicht
Track length2:41
XI. Im Walde
Track length1:31
No. 12, Frühlingsnacht (Arr. Liszt, S. 568)
Track length1:15

Awards and reviews

January 2010

Bernarda Fink's light, fresh-voiced mezzo is ideally cast in Schumann's early, ardent Myrthen songs… Here, as throughout the recital, her every phrase is illumined and delicately coloured by the fine-tuned accompanying of Anthony Spiri. …ten of Schumann's settings of Friedrich Rückert, in which Fink captures delightfully the composer's heartfelt love for the inner music of this poetry, in all its fragrant and rapt ardour. This enticing programme ends with a delicately inflected performance of the Op. 39 Liederkreis. Both Fink and Spiri recreate the elusive half-lights and scents of these Eichendorff settings, with every vocal turn and ornament clear and poised, every nuance of rhythm and dynamic seemingly instinctively achieved.

April 2010

Fink lays bare the pain of both poet and composer, sensitively supported by Anthony Spiri. Rare glimpses of warmth...are beautifully conveyed, even if it's a fleeting comfort...'Mondnacht' is compelling and in 'Zwielicht' she grasps your attention as only the greatest of Lieder singers can do.

The Independent on Sunday 24th January 2010

The cycle fits Fink's grave, elegant voice ideally, while pianist Anthony Spiri gently highlights some of the stranger timbres. In the Rückert and Myrthen songs, "Jemand" and "O Sonn', o Meer, o Rose!" have extraordinary shimmer
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