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Vierne: Complete Chamber Music

Francois Kerdoncuff/Olivier Gardon (piano) Alexis Galpérine (violin) Yvan Chiffoleau (cello) Christian Moreaux (oboe) Odile Carracilly (viola) Pascale Zanlonghi (harp)

Quatuor Phillips

Vierne: Complete Chamber Music
The fifth release in the Timpani label's marvellous survey of Vierne's music, these two entrancing discs are packed with treasures. …it is the Piano Quintet that makes this set indispensable....

Vierne: Complete Chamber Music

Francois Kerdoncuff/Olivier Gardon (piano) Alexis Galpérine (violin) Yvan Chiffoleau (cello) Christian Moreaux (oboe) Odile Carracilly (viola) Pascale Zanlonghi (harp)

Quatuor Phillips

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
The fifth release in the Timpani label's marvellous survey of Vierne's music, these two entrancing discs are packed with treasures. …it is the Piano Quintet that makes this set indispensable....

About

Contents and tracklist

I. Allegro
Track length6:35
II. Andante
Track length11:19
III. Intermezzo. Quasi vivace
Track length3:28
IV. Largamente: Allegro agitato
Track length12:58
I. Poco lento: Moderato
Track length9:34
II. Larghetto sostenuto
Track length11:38
III. Maestoso: Allegro risoluto
Track length9:16
No. 1, Le Soir
Track length4:00
No. 2, Legende
Track length1:58
I. Poco lento - Allegro moderato
Track length8:44
II. Molto largamente
Track length9:10
III. Risoluto - Allegro molto
Track length6:00
Largo
Track length3:52
Canzonetta
Track length2:28
I. Grenade
Track length4:07
II. Sur le Leman
Track length5:48
III. Venise
Track length3:54
IV. Steppe canadien
Track length9:20
V. Poisson chinois
Track length2:25
I. Lento: Allegro agitato
Track length5:43
II. Intermezzo. Leggiero non troppo vivo
Track length2:49
III. Andante quasi adagio
Track length5:52
IV. Allegro vivace
Track length6:33

Awards and reviews

April 2006

The fifth release in the Timpani label's marvellous survey of Vierne's music, these two entrancing discs are packed with treasures. …it is the Piano Quintet that makes this set indispensable. Written after the death of Vierne's son, the raw emotions attest to the composer's desire to 'bury him in a roar of thunder and not in the plaintive bleating of a resigned, complacent sheep'. Emotion and technique combine to stunning effect, especially when allied, as in the other works, to first-rate performances and sound.
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