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Pleyel - Piano Works

Marsha Dimitrieva (piano)

Pleyel - Piano Works
Dimitrieva’s arrestingly direct, no-nonsense manner imparts an expressive boldness and vitality not always associated with Pleyel. If Beethoven composed for the ‘pianos of the future’, after...

International Piano, September/October 2008

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Pleyel - Piano Works

Marsha Dimitrieva (piano)

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Dimitrieva’s arrestingly direct, no-nonsense manner imparts an expressive boldness and vitality not always associated with Pleyel. If Beethoven composed for the ‘pianos of the future’, after...

International Piano, September/October 2008

More reviews

About

Contents and tracklist

Pleyel: Rondo in E flat major, Ben. 613
Work length3:23
  • Masha Dimitrieva (piano)
Pleyel: Sonata in E flat major, B. 579 (version for piano)
Work length4:21
  • Masha Dimitrieva (piano)
I. Andante
Track length1:38
II. Allegro
Track length2:43
Pleyel: Sonata in D flat major, B. 578 (version for piano)
Work length4:43
  • Masha Dimitrieva (piano)
I. Allegro
Track length2:04
II. Andante
Track length0:51
III. Rondo: Allegro
Track length1:48
Pleyel: Sonata in G major, B. 572 (version for piano)
Work length9:52
  • Masha Dimitrieva (piano)
I. Allegro assai
Track length6:06
II. Rondo
Track length3:46
Pleyel: Sonata in B major, B. 571 (version for piano)
Work length12:06
  • Masha Dimitrieva (piano)
I. Allegro
Track length5:02
II. Adagio
Track length4:59
III. Finale
Track length2:05
Pleyel: Sonata in D major, B. 436 (version for piano)
Work length13:34
  • Masha Dimitrieva (piano)
I. Allegro
Track length8:41
II. Allegro molto
Track length4:53
Pleyel: Sonata in B major, B. 577 (version for piano)
Work length2:22
  • Masha Dimitrieva (piano)
Sonata in B major, B. 577: Andante (version for piano)
Track length2:22
Pleyel: Symphonie concertante in A major, B. 114 (version for piano)
Work length6:00
  • Masha Dimitrieva (piano)
Symphonie concertante in A major, B. 114: III. Rondo moderato (version for piano)
Track length6:00

Awards and reviews

September/October 2008

Dimitrieva’s arrestingly direct, no-nonsense manner imparts an expressive boldness and vitality not always associated with Pleyel. If Beethoven composed for the ‘pianos of the future’, after hearing this fine recording one cannot help feeling that this instrument was exactly what Pleyel had in mind – after all, his company made it!
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