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Handel: Aci, Galatea e Polifemo

Stephanie True (Aci), Luciana Mancini (Galatea), Mitchell Sander (Polifemo)

Contrasto Armonico, Marco Vitale (harpsichord & direction)

Handel: Aci, Galatea e Polifemo
The performance is noteworthy for Marco Vitale's natural tempi and obvious affection for the subtleties in Handel's notation… The fast music is quick enough, but never at the expense of articulacy....

Handel: Aci, Galatea e Polifemo

Stephanie True (Aci), Luciana Mancini (Galatea), Mitchell Sander (Polifemo)

Contrasto Armonico, Marco Vitale (harpsichord & direction)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$7.25

320 kbps, MP3

$5.50

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
The performance is noteworthy for Marco Vitale's natural tempi and obvious affection for the subtleties in Handel's notation… The fast music is quick enough, but never at the expense of articulacy....

About

Looking ahead to Handel year 2009 this CD offers a rare opportunity to listen to Handel’s Aci, Galatea e Polifemo .This seldomly heard ‘serenata’ (musical entertainment) was written by the famous composer when still very young - he was 23 - in Italy. True to the original setting of such a piece – often outdoors and without acting – the cast consists of just three characters. They are all mentioned in the title. In this serenata Handel occasionally has been very specific about instruments to be used in performances. Thus a ‘violone grosso’ shows up in the opening aria.

Contents and tracklist

Duetto. Sorge il dì (Aci, Galatea)
Track length3:13
Recitativo. Vanti, o cara, il ruscello (Aci, Galatea)
Track length1:13
Aria. Sforzano a piangere con più dolor (Galatea)
Track length5:13
Recitativo. E qual nuova sventura (Aci, Galatea)
Track length1:06
Che non può la gelosia (Aci)
Track length3:54
Accompagnato. Ma qual orrido suono (Galatea, Aci)
Track length0:30
Recitativo. Ahi, che dall'ombre eterne (Galatea, Aci)
Track length1:07
Aria. Sibilar l'angui d'Aletto (Polifemo)
Track length4:22
Recitativo. Deh lascia, o Polifemo (Galatea, Polifemo)
Track length1:18
Aria. Benché tuoni e l'etra avvampi (Galatea)
Track length2:47
Recitativo. Cadrai depressa e vinta (Polifemo, Galatea)
Track length0:46
Aria. Non sempre, no, crudele (Polifemo)
Track length2:23
Recitativo. Folle, quanto mi rido (Galatea, Polifemo, Aci)
Track length1:06
Aria. Dell'aquila l'artigli
Track length3:16
Recitatico. Meglio spiega i tuoi sensi (Polifemo, Aci)
Track length0:44
Aria. Precipitoso nel mar che freme (Polifemo)
Track length2:57
Recitativo. Sì, t'intendo, inumano (Galatea)
Track length0:50
Aria. S'agita in mezzo all'onde (Galatea)
Track length3:31
Recitatico. So che le cinosure (Polifemo, Aci)
Track length1:37
Terzetto. Proverà lo sdegno mio (Aci, Galatea, Polifemo)
Track length2:01
Recitativo. Ingrata, se mi nieghi (Polifemo, Galatea, Aci)
Track length1:48
Aria. Fra l'ombre e gl'orrori (Polifemo)
Track length4:49
Recitativo. Ma che? Non andrà inulta (Polifemo, Aci)
Track length1:24
Aria. Qui l'augel da pianta in pianta (Aci)
Track length7:02
Recitativo. Giunsi al fin, mio tesoro (Galatea, Aci)
Track length1:05
Aria. Se m'ami, o caro (Galatea)
Track length3:47
Recitativo. Qui sull'alto del monte (Polifemo, Aci, Galatea)
Track length1:35
Terzetto. Dolce amico amplesso (Aci, Galatea, Polifemo)
Track length2:31
Recitatico. Or poiché sordi sono (Polifemo, Aci)
Track length1:24
Aria. Verso già l'alma col sangue (Aci)
Track length3:49
Recitativo. Misera, e dove sono? (Galatea)
Track length1:35
Aria. Impara, ingrata, impara (Polifemo)
Track length2:16
Recitativo. Ah, tiranno inumano! (Galatea, Polifemo)
Track length1:33
Aria. Del mar fra l'onde (Galatea)
Track length1:49
Recitativo. Ferma, ma già nel mare (Polifemo)
Track length0:38
Accompagnato. "Vissi fedel, mia vita" (Polifemo)
Track length1:51
Recitativo. Ed io, che tanto ascolto (Polifemo)
Track length0:24
Terzetto. Chi ben ama ha per oggetti (Aci, Galatea, Polifemo)
Track length1:41

Awards and reviews

Awards Issue 2008

The performance is noteworthy for Marco Vitale's natural tempi and obvious affection for the subtleties in Handel's notation… The fast music is quick enough, but never at the expense of articulacy. Recitatives could flow a little more freely, but I particularly enjoyed their clarity and simplicity, which allows the listener time to become fully immersed in the poetry.
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