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Verdi: Rigoletto

Robert Merrill (Rigoletto), Roberta Peters (Gilda), Jussi Björling (Il Duca), Anna Maria Rota (Maddalena), Giorgio Tozzi (Sparafucile)

Rome Opera Orchestra and Chorus, Jonel Perlea

Verdi: Rigoletto

Awards:

[On the original release in 1956] under Perlea, the orchestral playing is firm and dramatic, well balanced with the voice. The music is well paced. Björling’s tone is a constant pleasure. He...

Verdi: Rigoletto

Robert Merrill (Rigoletto), Roberta Peters (Gilda), Jussi Björling (Il Duca), Anna Maria Rota (Maddalena), Giorgio Tozzi (Sparafucile)

Rome Opera Orchestra and Chorus, Jonel Perlea

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2 CDs

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

[On the original release in 1956] under Perlea, the orchestral playing is firm and dramatic, well balanced with the voice. The music is well paced. Björling’s tone is a constant pleasure. He...

About

Studio recording, 1956

Contents and tracklist

Rigoletto, Act I Scene 1: Gran nuova! gran nuova!
Track length2:31
Rigoletto, Act III: È amabile in vero
Track length6:09
Di Provenza il mar
Track length4:10

Spotlight on this release

Awards and reviews

  • Presto Favourites
    Recommended Recording

[On the original release in 1956] under Perlea, the orchestral playing is firm and dramatic, well balanced with the voice. The music is well paced. Björling’s tone is a constant pleasure. He sings elegantly. Merrill, too, is in fine voice: he sings the title rôle in correct and often impressive style… in short, this performance with Metropolitan stars offers an able, and therefore enjoyable performance of the opera.

2010 edition

Naxos have made an excellent transfer of one of the earliest mono LP recordings of Rigoletto dating from June 1956. The set is mainly of interest for Jussi Bjorling's contribution

A tiny bit of crackle on the recording is a small price to pay for the glories of Jussi Björling's swaggering, open-toned Duke, Roberta Peters's sweet and steady-toned Gilda and Robert Merrill's imposing Rigoletto on this 1956 recording from Rome, masterfully paced by Jonel Perlea.
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