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A Bridge to Bach

Andrew Rangell (piano)

A Bridge to Bach
The pre-Bach keyboard composers featured in this program share an improvisatory sensibility and sense of playfulness that not only lend themselves to a modern concert grand but also can absorb...

Classics Today

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A Bridge to Bach

Andrew Rangell (piano)

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The pre-Bach keyboard composers featured in this program share an improvisatory sensibility and sense of playfulness that not only lend themselves to a modern concert grand but also can absorb...

Classics Today

More reviews

About

Contents and tracklist

Gibbons, O: Lord of Salisbury Pavan & Galliard
Work length4:33
Sweelinck: Mein junges Leben hat ein End - variations
Work length6:45
anon.: Almande gratie (More Palatino) [Attrib. J.P. Sweelinck]
Work length3:30
Tisdale: Fitzwilliam Virginal Book, Vol. 2
Work length14:02
No. 214, Pavana chromatica (Mrs. Katherin Tregian Paven)
Track length6:27
No. 217, Fantasia
Track length7:35
Tomkins: A Sad Paven for These Distracted Tymes, MB 53
Work length5:18
Tomkins: A Paven
Work length2:44
Tomkins: Voluntary
Work length2:36
Froberger: 14 Ricercare
Work length3:03
No. 6, FbWV 406
Track length3:03
Excerpt,Beethoven: String Quartet No. 14 in C sharp minor, Op. 131
Work length6:45
I. Adagio ma non troppo e molto espressivo (Arr. for Piano)
Track length6:45
Farnaby, G: Fitzwilliam Virginal Book, Vol. 2
Work length4:11
No. 230, Loth to Depart
Track length4:11
Sweelinck: Unter den Linden grüne, SwWV 325
Work length4:19
anon.: 14 Ricercare
Work length3:47
No. 13, FbWV 13a
Track length3:47
Bach, J S: Three-part Invention (Sinfonia) No. 9 in F minor, BWV795
Work length3:43

Awards and reviews

Classics Today

The pre-Bach keyboard composers featured in this program share an improvisatory sensibility and sense of playfulness that not only lend themselves to a modern concert grand but also can absorb Andrew Rangell's freewheeling temperament and dynamic, big-boned pianism. His opening selection, Orlando Gibbons' Lord of Salisbury Pavane and Galliard, conveys a three-dimensional, theatrical effect that completely differs from Glenn Gould's x-ray clarity and astringent textures in the same work.
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