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Simon Keenlyside & Malcolm Martineau

Simon Keenlyside (baritone) & Malcolm Martineau (piano)

Simon Keenlyside & Malcolm Martineau
The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded...

Simon Keenlyside & Malcolm Martineau

Simon Keenlyside (baritone) & Malcolm Martineau (piano)

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The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded...

About

He was already noted as a recitalist, and “a talent to cherish” as far back as 1989. Since appearing in La Scala in 1998 he has performed recitals all over the world, his repertoire including: Schubert, Schumann, Strauss, Brahms, Fauré, Wolf and Mahler. He has also recorded many English songs. Gramophone describe him as the finest baritone singer of Lieder this country has ever produced.

In Simon's own words “I've probably got around 15 years, and think I can see the end of the tunnel. I've done most of the roles that suit me and some, like Papageno, I'll never want to drop…” “In Wagner I shan't go beyond Wolfram in Tannhauser. I know there's Beckmesser, but I'm afraid it's not a role that excites or fascinates me. I'll never get tired of the stand-and-sing roles like Germont in Traviata and Posa in Don Carlos - parts where you really have to act with your voice and pin the audience to their seats with inflexion, nuance and colour. I probably shan't sing Billy Budd again… and am moving down from Pelleas to Golaud. The two new roles I'm most excited about are Wozzeck and Rigoletto, which are both great theatre and call on a huge palette of colours. Wozzeck in particular, is a mountain any baritone wants to climb…”

Contents and tracklist

No. 2. Der Knabe und das Immlein
Track length2:57
No. 46, Gesang Weylas
Track length1:40
No. 32, An die Geliebte
Track length3:22
No. 21. Auf eine Christblume II
Track length2:14
No. 43. Lied eines Verliebten
Track length1:46
No. 38. Lied vom Winde
Track length3:15
No. 1. Le paon
Track length4:46
No. 2. Le grillon
Track length3:24
No. 3. Le cygne
Track length3:35
No. 4. Le martin-pêcheur
Track length3:06
No. 5. La pintade
Track length4:01

Awards and reviews

December 2009

The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded on a lightly rounded but always expressive tone. He sounds equally at ease in the French half of the programme. ...'En sourdine' flows beautifully...and the light humour of 'Le Papillon et la Fleur', Fauré's Op. 1 No. 1, is flawlessly conveyed in Martineau's enchantingly lithe pianism.

22nd December 2009

you’re being invited to step into a more gently nuanced and delicately observed world, where the expressive weight of each phrase is being judged to perfection, with not a gram of emotional excess...this is such a successful document of the occasion that you might honestly end up feeling that you were [there]… and can be again, and again.

November 2009

Hugo Wolf is at his most welcoming in "Der Knabe und das Immelein" and Keenlyside is at his most responsive in "An die Geliebte". Keenlyside is at his best in "Notre amour" - and very French. In… Malcolm Martineau: he has a collaborator in whom the life of texts as well as the music is experienced and communicated unfailingly.
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