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Schubert: Sakontala, D701

Simone Nold, Donát Havár, Martin Snell, Konrad Jarnot & Stephan Loges

Deutsche Kammerphilharmonie Bremen, Frieder Bernius

Schubert: Sakontala, D701
While Sakontala is hardly a restored masterpiece, Rasmussen's skilful realisation is certainly worth hearing. The 2006 premiere recorded here did it fair justice, with lively orchestral work...

Schubert: Sakontala, D701

Simone Nold, Donát Havár, Martin Snell, Konrad Jarnot & Stephan Loges

Deutsche Kammerphilharmonie Bremen, Frieder Bernius

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.00

320 kbps, MP3

$16.75

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
While Sakontala is hardly a restored masterpiece, Rasmussen's skilful realisation is certainly worth hearing. The 2006 premiere recorded here did it fair justice, with lively orchestral work...

About

In 1822 Franz Schubert began work on his oriental opera, ‘Sakontala’. Sadly, only a few drafts and sketches of the first two acts of this project have survived. However, thanks to the rediscovery in recent times of the complete libretto and to the stylistically sensitive and skillful reconstruction of the music by the Danish composer Karl Aage Rasmussen, this Schubert opera is recorded here for the first time. Frieder Bernius leads a group of renowned soloists in this world premiere recording. This CD is a “must” for all lovers of 19th century opera.

Contents and tracklist

Overture
Track length4:26
Das holde Licht
Track length3:11
Der Seele schönstes einziges Opfer
Track length2:54
Wie fühl’ ich, ihr Götter
Track length4:38
Du hoffest im Auge des Gatten
Track length2:38
Hier liegen wir im Staub gebeuget
Track length9:06
Wo du wandelst, atme dir
Track length2:18
Sieg deinen Fahnen, König
Track length26:41
Komm nur Dieb
Track length5:07
Rosenzeit der Freuden
Track length6:08
Noch schläft die goldne Sonne
Track length5:08
Mit liebendem Verlangen
Track length7:40
Trauet auf Götter
Track length6:24

Awards and reviews

July 2008

While Sakontala is hardly a restored masterpiece, Rasmussen's skilful realisation is certainly worth hearing. The 2006 premiere recorded here did it fair justice, with lively orchestral work under Frieder Bernius… and on the whole, a good cast
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