Jussi Björling Vol.2
with Hjördis Schymberg
Jussi Björling
the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges,...
Jussi Björling Vol.2
with Hjördis Schymberg
Jussi Björling
Purchase product
the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges,...
About
"... the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges, sigh being particularly expressive. There is also a good note by Nigel Douglas who remarks "he always sounds to me most marvellously himself, as if some paper-thin layer of inhibition has been removed" when singing in Swedish: which is another point (and a good one) in favour of the Nimbus ..."
John B. Steane, Gramophone
Contents and tracklist
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling, Hjördis Schymberg
- Nils Grevillius
- Jussi Björling, Hjördis Schymberg
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
- Jussi Björling, Hjördis Schymberg
- Nils Grevillius
- Jussi Björling
- Nils Grevillius
Awards and reviews
the surface is smooth, the instruments are no longer sour, the voice takes its place naturally. Nimbus have some splendid, little-known, song songs, Sibelius's Black roses and Sigh, sedges, sigh being particularly expressive. There is also a good note by Nigel Douglas who remarks "he always sounds to me most marvellously himself, as if some paper-thin layer of inhibition has been removed" when singing in Swedish: which is another point (and a good one) in favour of the Nimbus …
