The majority of compositions on this compact disc recording exhibit timbral saturation and, as such, emanate from a single instrumental sound source (11 oboes, 72 clarinets, 5 voices, 3 pianos). A single performer using multi-track recording techniques is featured on each of the individual compositions. Many of these compositions depict different perspectives, facets and planes of instrumental sound as they simultaneously evolve in different time planes. This is manifested in the simultaneous layering of contrasting and often unrelated dimensions of time and memory within a single composition. When listening to Richards’ music, one often has the sense of being dislocated in time.