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Monteverdi - Fire and Ashes

I Fagiolini, Robert Hollingworth

Monteverdi - Fire and Ashes
…I Fagiolini are at their best in the quietly pastoral pieces. 'Rimanti in pace' is an early masterpiece from Book 3, sung with the tenderest of touches at the melting harmonies, and 'Lagrime...

Monteverdi - Fire and Ashes

I Fagiolini, Robert Hollingworth

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This release includes a digital booklet

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…I Fagiolini are at their best in the quietly pastoral pieces. 'Rimanti in pace' is an early masterpiece from Book 3, sung with the tenderest of touches at the melting harmonies, and 'Lagrime...

About

This second volume allows the listener to trace Monteverdi’s evolution from the early Mantuan a cappella madrigals that made his reputation to the late concerted madrigals of the 1630s written for the Viennese court.

These styles seem worlds apart, yet both are forged by the same desire, to confront and master the tension between mere art and real life.

Contents and tracklist

I. Ogni amante è guerrier, nel suo gran regno
Track length4:41
II. Io che nell'otio nacqui d d'otio vissi
Track length6:46
III. Ma per qual ampio Egeo spieghi le vele
Track length0:38
IV. Riedi, ch'al nostro ardir, ch'al nostro canto
Track length1:10
I. Incenerite spoglie, avara tomba
Track length2:07
II. Ditelo, o fiumi, e voi ch'udiste Glauco
Track length1:52
III. Darà la notte il sol lume alla terra
Track length2:12
IV. Ma te raccoglie, o Ninfa, in grembo il Cielo
Track length2:39
V. O chiome d'or, neve gentil del seno
Track length2:26
VI. Dunque, amatge reliquie, un mar di pianto
Track length3:34
Tirsi. Per monti e per valli
Track length5:03
Il ballo. Balliamo, che il gregge
Track length8:49

Awards and reviews

April 2008

…I Fagiolini are at their best in the quietly pastoral pieces. 'Rimanti in pace' is an early masterpiece from Book 3, sung with the tenderest of touches at the melting harmonies, and 'Lagrime d'amante'… is given the most persuasive performance I have heard...

May 2008

Under Robert Hollingworth's inspired direction, the five singers squeeze all the emotion possible out of the suspensions, both diatonic and chromatic.
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