Beethoven: String Quartets No. 1-6, Op. 18
Tokyo String Quartet
Enjoyable as other digital recordings of Beethoven's first quartets by (for example) the Takács and Lindsay Quartets are, this new Tokyo set just about pips all rivals to the post.
The reason...
Beethoven: String Quartets No. 1-6, Op. 18
Tokyo String Quartet
Purchase product
Enjoyable as other digital recordings of Beethoven's first quartets by (for example) the Takács and Lindsay Quartets are, this new Tokyo set just about pips all rivals to the post.
The reason...
About
Contents and tracklist
String Quartet No. 4 in C Minor, Op. 18, No. 4: II. Andante scherzoso quasi allegretto
Track length6:43
Awards and reviews
2010
Enjoyable as other digital recordings of Beethoven's first quartets by (for example) the Takács and Lindsay Quartets are, this new Tokyo set just about pips all rivals to the post.
The reason is primarily one of balance, not only within the group itself but also in terms of overall musical judgement – whether relating to tempo, dynamics or emphases, or simply the way the players combine a sense of classical style with an appreciation of Beethoven's startling originality. Even as early as No 1's pensive opening, you notice how skilfully rests are being gauged, contrasts in colour and inflection, too: the way the clipped first motif leads into its sweetly imploring extension a couple of bars later. The Scherzo's skipping gait, incisive but lightly dispatched, is another source of pleasure, and so is the seemingly effortless swirl of the closing Allegro. The old quartet cliché about 'leaning together' is here a principal attribute.
At times it could be just one person playing.
The qualifying ma non tanto of the C minor's opening Allegro is pointedly observed: dramatic impact is sustained while composure is maintained.
The crispness of the Andante scherzoso and the cannily calculated crescendi at the start of the finale is oustanding. Few ensembles have characterised the A major's cantering first idea as happily as the Tokyos do here, while the ethereal and texturally variegated middle movements anticipate the very different world of Beethoven's 'late' quartets. Beautifully blended recordings, too: if you're after a top-ranking digital set of Op 18, you couldn't do better.
February 2008
…this new Tokyo set just about pips all rivals to the post. The reason is primarily one of balance, not only within the group itself but also in terms of overall musical judgement - whether relating to tempo, dynamics or emphases, or simply the way the players combine a sense of classical style with an appreciation of Beethoven's startling originality.
this release makes one look forward to the Tokyo's completion of what is, so far, a formidable traversal.
February 2008
The Tokyo Quartet here produce a sumptuous, beautifully blended sonority and perform with outstanding music insight, unanimity and polish.
