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Haydn: String Quartet, Op. 1 No. 1 in B flat major, etc.

Petersen Quartett

The history of the string quartet in effect began with these cheerful, compact Divertimenti aquattro, as the composer titled them; and though they contain only spasmodic hints of future glories,...

Haydn: String Quartet, Op. 1 No. 1 in B flat major, etc.

Petersen Quartett

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320 kbps, MP3

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Stream now lossless, 44.1 kHz, 16 bit
The history of the string quartet in effect began with these cheerful, compact Divertimenti aquattro, as the composer titled them; and though they contain only spasmodic hints of future glories,...

About

Contents and tracklist

I. Presto
Track length2:24
II. Minuet
Track length3:11
III. Adagio
Track length4:55
IV. Minuet
Track length2:14
V. Finale. Presto
Track length1:48
I. Allegro molto
Track length4:09
II. Minuet
Track length3:00
III. Adagio
Track length5:37
IV. Minuet
Track length2:57
V. Finale. Presto
Track length1:52
I. Adagio
Track length5:29
II. Minuet
Track length2:35
III. Scherzo. Presto
Track length1:32
IV. Menuet
Track length3:02
V. Finale. Presto
Track length1:33
I. Presto
Track length3:53
II. Minuet
Track length3:19
III. Adagio ma non tanto
Track length7:18
IV. Minuet
Track length2:50
V. Finale. Presto
Track length3:33
I. Presto
Track length2:20
II. Menuet
Track length2:59
III. Adagio
Track length4:18
IV. Menuet
Track length3:13
V. Finale. Presto
Track length2:05
I. Presto assai
Track length1:55
II. Minuet
Track length3:18
III. Adagio
Track length5:34
IV. Minuet
Track length3:30
V. Finale. Allegro
Track length2:04

Awards and reviews

2010

The history of the string quartet in effect began with these cheerful, compact Divertimenti aquattro, as the composer titled them; and though they contain only spasmodic hints of future glories, their freshness and exuberance make for highly pleasurable listening.
The Petersen Quartet responds vividly to the music's youthful verve, with polished ensemble, keen attack and a wide spectrum of colour and dynamics. Purists may raise an eyebrow at the special effects the players deploy in repeats, especially in minuets – added touches of imitation, pizzicato and even col legno. But the young Haydn, famed for his mischievous humour, may have enjoyed these liberties. The recording combines clarity with an attractive church resonance.
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