…Madeleine Mitchell…clearly relishes giving her wonderfully lyrical tone full rein, captured in fine sound, while Andrew Ball is a perfectly discreet accompanist. Strauss's Morgen' makes an exquisite conclusion, as if everything before was merely an extension of the lengthy opening violin solo. When the voice finally enters, it does not seem the least bit out of place, and nor should it, for Elizabeth Watts's divine performance confirms that she is an exceptional young talent.

Madeleine Mitchell's playing is most appealing. Her tone is sweet and bright, and she and Andrew Ball are unfailingly sensitive to the nuances and character of each piece.

One of Britain's liveliest musical forces, the indefatigably adventurous violinist Madeleine Mitchell