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The McCormack Edition Volume 5

The Acoustic Recordings (1914-1915)

John McCormack (tenor) with Fritz Kreisler, violin, Vincent O’Brien, piano (tracks 1, 2), Francis Lapitino, harp (track 3), Rosario Bourdon, cello (track 4), Lucrezia Bori, soprano (tracks 17, 18, 19), Lucy Isabelle Marsh, soprano (track 20), Josephine Jacoby, contralto (track 17), Harry Macdonough,...

The McCormack Edition Volume 5
McCormack was a strong lyrical tenor with a clean edge to the voice…. A particular quality is the way he can hold on to a final note and let it gently die without any touch of aural instability....

The McCormack Edition Volume 5

The Acoustic Recordings (1914-1915)

John McCormack (tenor) with Fritz Kreisler, violin, Vincent O’Brien, piano (tracks 1, 2), Francis Lapitino, harp (track 3), Rosario Bourdon, cello (track 4), Lucrezia Bori, soprano (tracks 17, 18, 19), Lucy Isabelle Marsh, soprano (track 20), Josephine Jacoby, contralto (track 17), Harry Macdonough,...

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McCormack was a strong lyrical tenor with a clean edge to the voice…. A particular quality is the way he can hold on to a final note and let it gently die without any touch of aural instability....

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Contents and tracklist

No. 4, Standchen (Softly Through the Night Is Calling)
Track length3:40
Cavalleria Rusticana: Intermezzo, "Ave Maria" (arr. For tenor) [After Cavalleria rusticana]
Track length2:57
My Wild Irish Rose
Track length3:15
When other lips and other hearts
Track length2:54
Bella figlia dell'amore
Track length3:51
Parigi, o cara
Track length3:24
O soave fanciulla
Track length3:08
O terra addio
Track length3:49
The Moon hath Raised Her Lamp Above
Track length3:22
Until (Version for voice and orchestra)
Track length2:09

Awards and reviews

McCormack was a strong lyrical tenor with a clean edge to the voice…. A particular quality is the way he can hold on to a final note and let it gently die without any touch of aural instability. Such quality of breath control is amazing.
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