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JS Bach: Cantatas & Oboe Concerto

Emma Kirkby, Karl Kaiser, Katharina Arfken

Freiburg Baroque Orchestra, Gottfried von der Goltz

JS Bach: Cantatas & Oboe Concerto
One of the world's brightest Baroque ensembles performing with one of the world's most admired Baroque sopranos is an enticing proposition.
What's more, the solo cantatas on offer here are two...

JS Bach: Cantatas & Oboe Concerto

Emma Kirkby, Karl Kaiser, Katharina Arfken

Freiburg Baroque Orchestra, Gottfried von der Goltz

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One of the world's brightest Baroque ensembles performing with one of the world's most admired Baroque sopranos is an enticing proposition.
What's more, the solo cantatas on offer here are two...

About

Contents and tracklist

I. "Mein Herze schwimmt im Blut"
Track length1:58
II. "Stumme Seufzer, stille Klagen"
Track length7:40
III. "Doch Gott muss mir genädig sein"
Track length1:09
IV. "Tief gebückt und voller Reue"
Track length9:11
V. "Auf diese Schmerzensreu"
Track length0:13
VI. "Ich, dein betrübtes Kind"
Track length2:24
VII. "Ich lege mich in diese Wunden"
Track length0:44
VIII. "Wie freudig ist mein Herz"
Track length2:04
I. Allegro
Track length4:51
II. Adagio
Track length5:31
III. Allegro
Track length3:21
I. "Ich habe genug, ich habe den Heiland"
Track length6:23
II. "Ich habe genug! Mein Trost ist nur allein"
Track length0:56
III. "Schlummert ein, ihr matten Augen"
Track length9:59
IV. "Mein Gott! wann kommt das schöne Nun!"
Track length0:43
V. "Ich freue mich auf meinen Tod"
Track length3:50

Awards and reviews

2010

One of the world's brightest Baroque ensembles performing with one of the world's most admired Baroque sopranos is an enticing proposition.
What's more, the solo cantatas on offer here are two of Bach's most moving: No 82, Ich habe genug, that serene contemplation of the afterlife; and No 199, Mein Herze schwimmt im Blut, a relatively early work with a text that moves from the wallowing self-pity of the sinnner to joyful relief in God's mercy. Each contains music of great humanity and beauty, and each, too, contains an aria of aching breadth and nobility – the justly celebrated 'Schlummert ein' in the case of Ich habegenug, and in Mein Herze the humble but assured supplication of 'Tief gebückt'.
Both could have been written for Emma Kirkby, who's perhaps at her best in this kind of long-breathed, melodically sublime music, in which pure beauty of vocal sound counts for so much. The support of the Freiburg Baroque Orchestra is total, combining tightness of ensemble with such flexibility and sensitivity to the job of accompaniment that you really feel they're 'playing the words'. The Freiburgers also give one of the most satisfyingly thoroughbred accounts of the Violin and Oboe Concerto on disc. Add a recorded sound which perfectly combines bloom, clarity and internal balance, and you've a CD to treasure.
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