Special offer. Beethoven - Late String Quartets
Quartetto Italiano
These famous recordings, made 40 years ago, emerge triumphantly, and the sound is far superior to many recent sets. It's hard to see why, with these available, anyone should feel the need to...
Special offer. Beethoven - Late String Quartets
Quartetto Italiano
Purchase product
These famous recordings, made 40 years ago, emerge triumphantly, and the sound is far superior to many recent sets. It's hard to see why, with these available, anyone should feel the need to...
About
Contents and tracklist
- Quartetto Italiano (stringquartet), Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello)
- Recorded: 1968-06-18
- Recording Venue: Theatre Vevey, Vevey
II. Adagio, ma non troppo e molto cantabile – Andante con moto – Adagio molto espressivo
Track length15:26
- Quartetto Italiano (stringquartet), Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello)
- Recorded: 1969-08-03
- Recording Venue: Theatre Vevey, Vevey
- Quartetto Italiano (stringquartet), Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello)
- Recorded: 1969-04-19
- Recording Venue: Theatre Vevey, Vevey
- Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello), Quartetto Italiano (stringquartet)
- Quartetto Italiano
- Recorded: 1968-06-18
- Recording Venue: Theatre Vevey, Vevey
- Quartetto Italiano (stringquartet), Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello)
- Recorded: 1967-08-31
- Recording Venue: Theatre Vevey, Vevey
- Quartetto Italiano (stringquartet), Paolo Borciani (violin), Elisa Pegreffi (violin), Piero Farulli (viola), Franco Rossi (cello)
- Recorded: 1969-04-19
- Recording Venue: Theatre Vevey, Vevey
Awards and reviews
November 2007
These famous recordings, made 40 years ago, emerge triumphantly, and the sound is far superior to many recent sets. It's hard to see why, with these available, anyone should feel the need to look further.
The Italians give a most searching account of the first movement of op.127 and their firmness of tone and accuracy of ensemble compel admiration ... a magnificent account ... the Italian Quartet's performances are considerable. The sonority that they produce is beautifully blended and splendidly focused and yet their prime concern is with truth, not beauty.
