Verdi: Il Trovatore
Carl Tanner (Manrico), Iano Tamarrger (Leonora), Zeljko Lucic (Luna), Marianne Cornetti (Azucena), Giovanni Battista Parodi (Ferrando), Deanne Meekger (Ines), José Luis Ordonez Parodi (Ruiz)
Wiener Symphoniker Orchestra, Moscow Chamber Choir & Chorus of the Bregenz Festival, Thomas Rösner
It is nothing short of staggering to see how Carsen, using only light and shade, manages to create new spaces again and again within this dreadful labyrinth of steel. Fabio Luisi conducts the...
Verdi: Il Trovatore
Carl Tanner (Manrico), Iano Tamarrger (Leonora), Zeljko Lucic (Luna), Marianne Cornetti (Azucena), Giovanni Battista Parodi (Ferrando), Deanne Meekger (Ines), José Luis Ordonez Parodi (Ruiz)
Wiener Symphoniker Orchestra, Moscow Chamber Choir & Chorus of the Bregenz Festival, Thomas Rösner
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It is nothing short of staggering to see how Carsen, using only light and shade, manages to create new spaces again and again within this dreadful labyrinth of steel. Fabio Luisi conducts the...
About
This spectacular production, recorded live in August 2006, celebrates the 60th anniversary of the Bregenz Festival, Austria.
Bonus Feature: Documentary 'Stage on a Lake' including interviews with the stage director & set designer.
PICTURE FORMAT: 16:9
LENGTH: 119 Mins
SOUND: DTS SURROUND 5.0 / LPCM STEREO
SUBTITLES: EN/FR/DE/ES/IT
Contents and tracklist
- Stage Director - Robert Carsen
- Carl Tanner (Manrico), Iano Tamarrger (Leonora), Zeljko Lucic (Luna), Marianne Cornetti (Azucena), Giovanni Battista Parodi (Ferrando), Deanne Meekger(Ines), José Luis Ordonez Parodi (Ruiz)
- Wiener Symphoniker Orchestra, Moscow Chamber Choir & Chorus of the Bregenz Festival
- Thomas Rösner
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Awards and reviews
Stuttgarter Zeitung
It is nothing short of staggering to see how Carsen, using only light and shade, manages to create new spaces again and again within this dreadful labyrinth of steel. Fabio Luisi conducts the Vienna Symphony Orchestra as though in a beguiling dream. Every single instrumental ornament, no matter how small, is clearly audible on the evening air. The ensemble, freed from the obligation to produce great volume in sound, can now concentrate entirely on beauty of tone and expression.