Lully: Proserpine
Salomé Haller (Proserpine), Bénédicte Tauran (La Paix), Stéphanie d'Oustrac (Cérès), Hjördis Thébault (La Victoire), Blandine Staskiewicz (Aréthuse, Cyané), Cyril Auvity (Alphée), François-Nicolas Geslot (Mercure), Benoît Arnould (Ascalaphe), Marc Labonnette (Jupiter, Crinise), Pierre-Yves Pruvot...
Lully: Proserpine
Salomé Haller (Proserpine), Bénédicte Tauran (La Paix), Stéphanie d'Oustrac (Cérès), Hjördis Thébault (La Victoire), Blandine Staskiewicz (Aréthuse, Cyané), Cyril Auvity (Alphée), François-Nicolas Geslot (Mercure), Benoît Arnould (Ascalaphe), Marc Labonnette (Jupiter, Crinise), Pierre-Yves Pruvot...
Purchase product
Hervé Niquet directs a superb ensemble performance in excellent recorded sound.
About
2 CDs in slipcase, 132-page booklet.
Present as a singer in the chorus of Les Arts Florissants in 1987 when William Christie put on Lully's Atys, [recorded for harmonia mundi] Niquet formed his own ensemble, Le Concert Spirituel that same year. Since that time he has balanced his own endeavours to stage (and record) key French tragédies with his other musical interests. Niquet's latest incursion into French Baroque opera comes with Lully's prologue and five-act Proserpine, joining Destouches' Callirhoé and Marais' Sémélé: a group which Glossa has been releasing in elegant editions over the last three years.Additionally, the recordings have all followed performances of the works, especially at the Opéra de Montpellier where Le Concert Spirituel is currently in residence. Three centuries after the first performance in Saint-Germain-en-Laye, Hervé Niquet and Le Concert Spirituel pay tribute to the genius of Lully with a new recording of Proserpine made just after stagings in both Paris and Versailles.Together with a cast of top soloists, well-versed in the demands of French Baroque, singing and with his incomparable Le Concert Spirituel, Hervé Niquet once more conjures up a dramatic feast.
Artists
Salomé Haller (Proserpine), Bénédicte Tauran (La Paix), Stéphanie d'Oustrac (Cérès), Hjördis Thébault (La Victoire), Blandine Staskiewicz (Aréthuse, Cyané), Cyril Auvity (Alphée), François-Nicolas Geslot (Mercure), Benoît Arnould (Ascalaphe), Marc Labonnette (Jupiter, Crinise), Pierre-Yves Pruvot (La Discorde) & Joao Fernandes (Pluton)
Le Concert Spirituel, Hervé Niquet (direction)
Contents and tracklist
- Stéphanie d'Oustrac (mezzo-soprano), Hjordis Thebault (mezzo-soprano), Pierre-Yves Pruvot (baritone), Francois-Nicolas Geslot (haute-contre), Benoit Arnould (baritone), Blandine Staskiewicz (mezzo-soprano), Joao Fernandes (bass), Salome Haller (soprano), Benedicte Tauran (soprano), Marc Labonnette (baritone), Cyril Auvity (countertenor)
- Le Concert Spirituel
- Hervé Niquet
Awards and reviews
October 2008
Hervé Niquet directs a superb ensemble performance in excellent recorded sound.
2010
Lully's tragédie lyrique for 1680 tells the familiar tale of Proserpine's abduction by the underworld king Pluton, the upset it causes her mother Cérès, and of the compromise solution reached in which Proserpine must each year alternate six months above and below ground. It is not much action on which to base a five-act opera, and indeed Lully's librettist, the everexcellent Quinault, adds to it by building up Cérès and her love affair with Jupiter and adding a parallel pair of lovers, Aréthuse and Alphée, with a rival for the latter in Ascalaphe. There is also liberal use of stage effects (including an impulsive role for Mount Etna) which we CD listeners will have to imagine for ourselves. Surprisingly, what it is not padded out with are the kind of extended decorative set-piece sung-anddanced divertissements that form such a large part of Lully's earlier operas.
The opera is a flexible mixture of arioso, dance and chorus, and Niquet clearly enjoys the task of joining its separate elements into a coherent whole. Perhaps in doing so he can be a little hasty with its conversational element, but the way he steers the music around its corners with no bumps and awkward corners betokens considerable musical and dramatic involvement.
And as ever he is capable of generating an almost visceral excitement and urgency, not just in Lully's glorious and imaginative choral writing but in the sensual urgency of his orchestral textures.
The all-French-speaking cast does not contain stars but makes strong and convincing contributions throughout, with Salomé Haller, Stéphanie d'Oustrac, Blandine Staskiewicz and Cyril Auvity giving special pleasure. Indeed, this is a model 'company' reading, one in which everyone performs as if it really matters.
December 2008
…Niquet… is capable of generating an almost visceral excitement and urgency, not just in Lully's glorious and imaginative choral writing but in the sensual urgency of his orchestral textures. The all-French speaking cast does not contain stars but makes strong and convincing contributions throughout.