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Finnissy: Gershwin Arrangements & More Gershwin

Ian Pace (piano)

This disc deserves a place on the shelves of every serious collector. These two cycles of Gershwin arrangements contain some of Finnissy's best and most thought-provoking music played by one...

Finnissy: Gershwin Arrangements & More Gershwin

Ian Pace (piano)

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Stream now lossless, 44.1 kHz, 16 bit
This disc deserves a place on the shelves of every serious collector. These two cycles of Gershwin arrangements contain some of Finnissy's best and most thought-provoking music played by one...

About

Contents and tracklist

No. 1, How long has This been going on?
Track length3:53
No. 2, Things Are looking up
Track length2:56
No. 3, A foggy day in London Town
Track length3:13
No. 4, Love Is here to stay
Track length4:57
No. 5, They can't take That away from me
Track length4:22
No. 6, Shall we dance?
Track length2:29
No. 7, They're writing songs of love, but not for me
Track length3:32
No. 8, Fidgety Feet
Track length1:51
No. 9, Embraceable You
Track length3:32
No. 10, Waiting for the sun to come out
Track length3:28
No. 11, Innocent ingenue baby
Track length4:02
No. 12, Blah, blah, blah
Track length1:47
No. 13, Boy wanted
Track length3:28
No. 1, Limehouse Nights
Track length3:32
No. 2, Wait a bit, Susie
Track length2:36
No. 3, I'd rather Charleston
Track length3:05
No. 4, Isn't It wonderful
Track length2:58
No. 5, Nobody but you
Track length1:45
No. 6, Swanee
Track length4:23
No. 7, Dixie Rose
Track length1:03
No. 8, Someone belives in you
Track length3:01
No. 9, Nashville Nightingale
Track length7:53

Spotlight on this release

  • Michael Finnissy at 80

    17th Mar 2026by Ben Hogwood

    On his eightieth birthday, the English composer talks to our contemporary music guest-contributor about his student days at the Royal College of Music, drawing inspiration from country hedgerows, and why he's 'still amazed by Verdi'...

Awards and reviews

This disc deserves a place on the shelves of every serious collector. These two cycles of Gershwin arrangements contain some of Finnissy's best and most thought-provoking music played by one of his greatest advocates. Most of Finnissy's output contains pre-existing music, but those who only known works such as English Country-Tunes or Folklore may be surprised at how identifiable Gershwin's melodies are. Conversely, those who know little or nothing of Finnissy's music may be disconcerted initially by how far these pieces seem to stray at times from Gershwin. For the latter, it is worth remembering that Gershwin's songs have been treated as malleable material from the start of their existence. Most people think they know how 'Summertime' should go, but relatively few are thinking of the operatic original. Indeed, some of the more dissonant and daring arrangements for piano were in improvisations by Gershwin himself. Finnissy joins a long line of transcribers including, of course, figures from both trad and progressive jazz, as well as composers such as Grainger and Earl Wild. The emotions in Finnissy's arrangements are often as complex as the music is intricate, at one moment poignant, disturbing at the next, but always utterly compelling.Strongly recommended
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