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Paris Expers Paris (Paris eithout Equal)

1170 - 1240

Diabolus in Musica, Antoine Guerber

Paris Expers Paris (Paris eithout Equal)
Diabolus in Musica go right to the heart of an exciting era of musical development when musicians were exploring the very essence of sound and the blending of sounds, rhythms and vocal timbres.

Paris Expers Paris (Paris eithout Equal)

1170 - 1240

Diabolus in Musica, Antoine Guerber

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Diabolus in Musica go right to the heart of an exciting era of musical development when musicians were exploring the very essence of sound and the blending of sounds, rhythms and vocal timbres.

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The programme centres on the impressive Christmas response Descendit de Caelis, alternating long polyphonic melismas, probably by Pérotin, and Gregorian melodies enriched with solo prose sections.The other pieces illustrate the possibilities that were being explored by the composers of the Notre Dame School in the thirteenth century: from 1 to 4 parallel voices, Pérotin being the first composer to write in 4 parts.

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Diabolus in Musica go right to the heart of an exciting era of musical development when musicians were exploring the very essence of sound and the blending of sounds, rhythms and vocal timbres.
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