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Anna Netrebko - Russian Album

Anna Netrebko, Dmitry Voropaev, Vladimir Moroz

Orchestra of the Mariinsky Theatre, Chorus of the Mariinsky Theatre, Valery Gergiev

Awards:

Anna Netrebko frames her recital with the two great heroines of Russian 19th- and 20th- century opera: Tatyana in Tchaikovsky's Eugene Onegin and Natasha in Prokofiev's War and Peace. …Netrebko...

Anna Netrebko - Russian Album

Anna Netrebko, Dmitry Voropaev, Vladimir Moroz

Orchestra of the Mariinsky Theatre, Chorus of the Mariinsky Theatre, Valery Gergiev

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$11.50

320 kbps, MP3

$8.25

This release includes a digital booklet

Awards:

Anna Netrebko frames her recital with the two great heroines of Russian 19th- and 20th- century opera: Tatyana in Tchaikovsky's Eugene Onegin and Natasha in Prokofiev's War and Peace. …Netrebko...

About

Contents and tracklist

"Atchevo eta prezhde ne znala"
Track length2:58
VII. Zdes′ khorosho
Track length2:23
"Ty, tsarevich, moy spasitel"
Track length3:27
"Au, au - Akh, bednaya Snegurochka, dikarka - S podruzhkami po yagodu khodit¿¿
Track length4:28
"Velikiy car¿! Sprosi menya sto raz"
Track length5:31
Scene & Aria: Ivan Sergeich, khochesh
Track length5:24
V pole, pole, cistoye glyazu
Track length6:41
"Chuda, kak harasha ana"
Track length8:11
"O ne rydai, mai Paolo"
Track length3:16
Letter Scene. "Puskai pogibnu ya, no prezde"
Track length13:03

Spotlight on this release

Awards and reviews

November 2006

Anna Netrebko frames her recital with the two great heroines of Russian 19th- and 20th- century opera: Tatyana in Tchaikovsky's Eugene Onegin and Natasha in Prokofiev's War and Peace. …Netrebko gives the characters' contrasted moods of anxiety, Natasha full of foreboding, Tatyana bursting with youthful hope. Her soft singing is exquisite and there is none of the edginess in the voice that can sometimes mar Slavonic sopranos. The songs by Rachmaninov and Tchaikovsky are heard in rather overblown orchestral arrangements, but Netrebko sings them all with ravishing tone. The Mariinsky Orchestra and Gergiev are, of course, in their element, and the recording, especially the balance between voice and orchestra, is fine throughout. This is the best disc Netrebko has made so far and should make many new friends for Russian opera.
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