Elgar - Orchestral Miniatures
Preman Tilson (bassoon)
New Zealand Symphony Orchestra, James Judd
…James Judd… gives Elgar's early overture an enhanced sense of seriousness and nobility that gives an individual slant to what is undoubtedly a highly competitive performance. The ensuing programme...
Elgar - Orchestral Miniatures
Preman Tilson (bassoon)
New Zealand Symphony Orchestra, James Judd
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…James Judd… gives Elgar's early overture an enhanced sense of seriousness and nobility that gives an individual slant to what is undoubtedly a highly competitive performance. The ensuing programme...
About
Contents and tracklist
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- Preman Tilson (bassoon)
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
- New Zealand Symphony Orchestra
- James Judd
- Recorded: 6-8 April 2004
- Recording Venue: Michael Fowler Centre, Wellington, New Zealand
Awards and reviews
November 2006
…James Judd… gives Elgar's early overture an enhanced sense of seriousness and nobility that gives an individual slant to what is undoubtedly a highly competitive performance. The ensuing programme of miniatures makes for attractive listening, expounded with affection and a fine sense of Elgarian style. Above all Judd seems to understand the mercurial fluidity of rhythm and tempo that gives Elgar's music its distinctive life.