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Bach, J C: Symphonies Op. 9

The Hanover Band, Anthony Halstead

Bach, J C: Symphonies Op. 9
This disc offers the Op 9 Symphonies published in The Hague in 1773, two of them in two versions, along with a little-known symphony.
Ernest Warburton explains in his notes that the usual texts...

Bach, J C: Symphonies Op. 9

The Hanover Band, Anthony Halstead

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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Stream now lossless, 44.1 kHz, 16 bit
This disc offers the Op 9 Symphonies published in The Hague in 1773, two of them in two versions, along with a little-known symphony.
Ernest Warburton explains in his notes that the usual texts...

About

Contents and tracklist

I. Allegro con spirito
Track length4:19
II. Andante
Track length2:56
III. Presto
Track length3:01
I. Allegro
Track length4:58
II. Andante
Track length3:20
III. Tempo di Menuetto
Track length3:53
I. Allegro assai
Track length2:48
II. Andante
Track length2:03
III. Allegro di molto
Track length1:06
I. Allegro
Track length4:09
II. Andante
Track length3:19
III. Tempo di Gavotta. Allegro
Track length1:51
I. Allegro con spirito
Track length4:11
II. Andante
Track length2:42
III. Presto
Track length2:55
I. Allegro (Version with clarinets)
Track length4:57
II. Andante (Version with clarinets)
Track length3:07
III. Tempo di Menuetto (Version with clarinets)
Track length3:55

Awards and reviews

2010

This disc offers the Op 9 Symphonies published in The Hague in 1773, two of them in two versions, along with a little-known symphony.
Ernest Warburton explains in his notes that the usual texts for these works, with oboes and horns, are in his view arrangements of originals calling for clarinets – still rarities in most European orchestras at the time – and bassoon, in which form one of them was published in Paris.
Here, then, Op 9 Nos 1 and 2 are done twice over to allow comparison; and certainly the versions differ markedly in flavour with clarinets and bassoon. The E-flat work, No 2, one of Bach's finest and most vigorously argued symphonies, comes out particularly well, with quite a different ring to its tuttis.
The E flat Symphony is an attractive work, with an eloquent violin line in the Andante, and a charming final gavotte. Of the works played twice, the B flat is lightish, probably originally an opera overture; the E flat has more substance and notably a C minor slow movement with a melody of a haunting, graceful beauty. The third Op 9 Symphony is a brisk little piece which again started life as an overture. Halstead directs with his usual style and shapeliness.
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